‘In Bloom’ (Not So Nice!) | Review By Lauren Shaw

Last week saw the debut of some brilliant work from Not So Nice! Theatre. ‘In Bloom’ is the latest scratch night of theirs to provide a platform to emerging actors, playwrights and directors amongst many other creatives. For those who may not know; a scratch night is a chance for creatives to develop work, usually... Continue Reading →

‘Sister Act’ (Glasgow King’s Theatre) | Review By Rebecca Donati

‘Raise Your Voice’ at the King’s Theatre in Glasgow this week for the excellent cast of ‘Sister Act The Musical’. This production leaves nothing to be desired, filling the theatre with joy and laughter throughout. Based on the iconic movie, this sparkling tribute to the universal power of friendship, sisterhood and music tells the hilarious... Continue Reading →

‘Bonnie & Clyde’ (King’s Theatre, Glasgow) | Review By Rebecca Donati

Raise a Little Hell at the The King’s Theatre in Glasgow this week at ‘Bonnie & Clyde’. Direct from the West End, this production is the epitome of live life fast. This astounding production makes for a fantastic night out with incredible performers, excellent direction and intricate and fascinating use of lighting, set and projections.... Continue Reading →

‘James V: Katherine’ (The Studio, Capital Theatres) | Review By Matthew Attwood

Raw Material and Capital Theatres bring an exciting new production of playwright Rona Munro’s ongoing James V series with their latest production, James V: Katherine. Presented at Capital Theatre’s The Studio. This production delves into the historical events of Katherine Hamilton and the persecution she underwent when her brother and male family members were labeled... Continue Reading →

Bonnie & Clyde (His Majesty’s Theatre, Aberdeen) | Review by Hannah Davidson

Bonnie & Clyde is hellraising in theatres around the UK after an award winning run in London’s West End in 2022. At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small town nobodies to America’s most renowned and infamous folk heroes – and Texas law enforcements worst nightmare. Winner of the WhatsonStage‘Best New Musical 2023’ award, the West... Continue Reading →

‘The Kite Runner’ (Theatre Royal, Glasgow) | Review by Rebecca Donati

‘The Kite Runner’ is an exceptional, provoking piece of theatre which challenges you to question your own privilege and how you can use it to fight injustice. Based on Khaled Hosseini's international bestselling novel, this haunting tale of friendship spans cultures and continents and follows one man's journey to confront his past and find redemption.... Continue Reading →

‘Forth Children’s Theatre’s 45th Anniversary Gala’ (Church Hill Theatre) | Review By Lauren Shaw

This week has seen Forth Children’s Theatre honour their past and celebrate their 45th anniversary with a cabaret-style gala, a collection of their work from past, present and even future performances. A creative team of co-directors, Musical directors and choreographers (namely Taylor Doig, Jack Nixon, Mark Mclaughlin and Jack Gardner) comprised a wonderfully talented group... Continue Reading →

‘Pretty Woman The Musical’ (Edinburgh Playhouse) | Review By Lewis C. Baird

The ‘Pretty Woman’ stage adaptation has walked down Leith Street and entered the Edinburgh Playhouse for a run until Saturday 13th April. Based on the iconic 1990s motion picture, the musical follows Edward, a rich entrepreneur, and Vivian, a prostitute, that Edward hires to accompany him on a few social events. Trouble ensues when he... Continue Reading →

‘The Woman in Black’ (Theatre Royal, Glasgow) | Review by Keiran McLean

Horror fanatics and jumpscare lovers are lining up for the epitome of horror theatre - 'The Woman in Black', which is playing in Glasgow’s Theatre Royal this week. Susan Hill’s comedic, tense, psychological thriller (adapted by Stephen Mallatratt) had the audience glued to the edge of their seats waiting for the next scream! The story... Continue Reading →

The Yeoman of the Guard (Tivoli Theatre, Aberdeen) Review by Hannah Cook.

Aberdeen Gilbert & Sullivan Society marks its 48th year with its production of The Yeoman and the Guard at the beautiful Tivoli Theatre this week.  The Tower of London is the setting for Gilbert & Sullivan’s beloved operetta, The Yeomen of the Guard. The arrival of a travelling troupe of performers sparks forbidden romances, fantastical... Continue Reading →

‘Sunshine On Leith’ (Church Hill Theatre) | Review by Marcus Lundie

The Bohemians, Edinburgh’s renowned amateur theatre company presents ‘Sunshine On Leith’ at the Church Hill Theatre. Morningside’s sunny disposition just got sunnier with a wonderful rendition of the Leith based smash hit musical ‘Sunshine On Leith’.  Sunshine On Leith written by Stephen Greenhorn, was originally created and produced by the Dundee Rep Theatre. The story follows two Scottish soldiers who... Continue Reading →

‘Peter Pan Goes Wrong’ (Theatre Royal, Glasgow) | Review By Keiran McLean

J.M Barrie’s beloved tale of the boy who never grows up has been an iconic story for many generations, however, the modern twist on the tale of Peter Pan has been taking the nation by storm. Mischief Theatre’s ‘Peter Pan Goes Wrong’ is a side splitting comedy that follows Cornley Polytechnic Drama Society’s production of... Continue Reading →

‘Hamilton’ (Festival Theatre, Edinburgh) | Review By Lewis C. Baird

Finally, after almost a decade of waiting, the Broadway and West-End smash hit, ‘Hamilton’, has made it’s way to Edinburgh, playing at the Festival Theatre until Saturday 27th April 2024. ‘Hamilton’ follows the real-life story of one of America's foremost founding fathers and first Secretary of the Treasury, Alexander Hamilton.  https://www.youtube.com/watch?v=Co21tLAK-DE The cast for this... Continue Reading →

‘An Officer and a Gentleman The Musical’ (Glasgow King’s Theatre) | Review By Rebecca Donati

‘An Officer and a Gentleman The Musical’ brought to you by the producers of the Curve production is a stylistic, edgy take on the much loved romantic drama.  This production is jam packed with some of your favourite eighty’s music which lifts the energy of the overall production. Despite excellent performers, stylistic direction and brilliant... Continue Reading →

‘Peter Pan Goes Wrong’ (Edinburgh Playhouse) | Review By Lewis C. Baird

J.M Barrie’s whimsical tale of the boy who never grows up in Neverland has been seen revived on stage many times in many different forms, however, in recent years there has only been one production that critics and audiences alike have been raving about. That is of course Mischief Theatre’s ‘Peter Pan Goes Wrong’. This... Continue Reading →

‘Movies To Musicals 10th Anniversary’ (SEC Armadillo) | Review by Keiran McLean

The Glasgow Philharmonia return with movies to Musical’s 10 year anniversary show. From local theatres 10 years ago to a jam packed SEC Armadillo in 2024 - this show celebrates the growth and success of Movies to Musicals. Ross Gunning composed and produced an excellent show from start to finish. The anniversary show felt just... Continue Reading →

‘The Wizard of Oz’ (Edinburgh Playhouse) | Review by Marcus Lundie

‘The Wizard of Oz’ comes to the Edinburgh Playhouse to blow our slippers off and toss us over the rainbow into the merry old land of Oz. This fantastic revival hits the Edinburgh stage, giving us all a fresh take on L. Frank Baum’s original tale. Andrew Lloyd Webber and Jeremy Sams’s new adaption is... Continue Reading →

‘Rock Of Ages’ (Aberdeen Arts Centre) | Review By Lewis C. Baird

This week the Granite city has been rumbling due to the face-melting rock coming from Treading The Board’s production of ‘Rock of Ages’ playing Aberdeen Arts Centre till Saturday 10th February. This 80s-based love story about wannabe rocker Drew Boley and aspiring actress Sherrie Christian facing LA’s highs and lows has been an audience pleaser since... Continue Reading →

‘Jesus Christ Superstar’ (Edinburgh Playhouse) | Review By Lewis C. Baird

‘Jesus Christ Superstar’ has arrived in Edinburgh for a week at the Playhouse (playing till Saturday 10th Feb). The Andrew Lloyd Webber and Tim Rice musical has been updated in a new production from Regents Park Open Air Theatre. Loosely based on the Gospel’s accounts of the Passion, ‘Jesus Christ Superstar’ brings rock and a... Continue Reading →

Life of Pi (His Majesty’s Theatre, Aberdeen) – Review by Hannah Davidson

Based on the best-selling novel by Yann Martel and Oscar winning feature film, Life of Pi was adapted for stage in 2019 by Lolita Chakrabarti. After winning 5 Olivier Awards, including Best New Play and 3 Tony awards, the grand adventure embarks on its first ever UK tour - with His Majesty’s Theatre, Aberdeen playing... Continue Reading →

‘Shrek the Musical’ (King’s Theatre, Glasgow) | Review By Keiran McLean

Who doesn't love a love story. Where a shining knight - or shiny green ogre - rescues the princess in distress at the top of the tower. Based on the classic, beloved motion picture - Shrek the Musical hits the stage of Kings Theatre Glasgow for a ‘Shrek-tacular’ evening for all of the family. https://www.youtube.com/watch?v=b5n6R3S9iYM... Continue Reading →

‘Same Team – A Street Soccer Story’ (Traverse Theatre) | Review By Matthew Attwood

On the 12th of December, the Traverse Theatre presents the world premiere of Same Team, A Street Soccer Story by Robbie Gordon and Jack Nurse; a story created with the women of Dundee Change Centre. This electric play explores the emotional highs and lows of five woman from different walks of life on a journey... Continue Reading →

‘Wicked’ (Edinburgh Playhouse) | Review By Lewis C. Baird

This festive season the Edinburgh Playhouse is unleashing the Witches of OZ on Scotland, as the third ‘Wicked’ UK Tour opens in Scotland’s answer to Broadway. ‘Wicked’ tells the story of two unlikely friends, Elphaba Thropp (later known as the Wicked Witch of the West) and Galinda Upland (later known as Glinda the Good), whose friendship struggles through their opposing personalities,... Continue Reading →

‘Cinderella’ (Portobello Town Hall) | Review By Jennifer Mackie

Pull up a chair, get the tinsel out and get ready for a Christmas treat! Cinderella is playing down at Portobello Town Hall and this is not one to be missed. Lewis Baird’s laughter-fuelled take on the classic fairy-tale will have you laughing out loud and up dancing in the aisles. Running until 23rd December... Continue Reading →

‘Snow White & The Seven Dwarfs’ (Glasgow King’s Theatre) | Review By Jennifer Mackie

Mirror, Mirror on the wall, where’s the fairest panto of them all? Well, if you head over to the King’s Theatre in Glasgow for this year’s pantomime classic Snow White and the Seven Dwarfs, you’re sure to find out! Panto season is off to a roaring start and if you want fun-family entertainment that everyone will enjoy then Alan McHugh’s version is a... Continue Reading →

‘The Pantomime Adventures of Peter Pan’ (Edinburgh Festival Theatre) | Review By Lewis C. Baird

The 2023 festive season has arrived! ‘The Pantomime Adventures of Peter Pan’ kicks off our coverage of Scotland’s theatre this Christmas. Our swashbuckling adventure follows Smee, May McSmee, Starky, Peter Pan, Wendy, and Tinkerbell as we continue the tales of Neverland, and they face the infamous Captain Hook once more. Playing Edinburgh's Festival Theatre until Sunday 31st... Continue Reading →

A Play, A Pie & A Pint – The Guns of Johnny Diablo (The Lemon Tree, Aberdeen)| Review by Hannah Cook

A Play, A Pie & A Pint finishes its Autumn 2023 Season with a new hilarious farce about blazing bullets, oversized egos and actors behaving like arses. Co-presented by Aberdeen Performing Arts, ‘The Guns of Johnny Bravo’ follows the BBC producing a radio version of the recently discovered spaghetti western script of the same name,... Continue Reading →

School of Rock (Harlequin Productions – The Tivoli Theatre, Aberdeen) | Review by Hannah Cook

Harlequin Productions is back in the Tivoli Theatre this week with Andrew Lloyd Webber’s award-winning smash hit musical, School of Rock. Based on the hilarious film of the same name, we follow Dewey Finn, a failed wannabe rock star who decides to earn a few extra bucks by posing as a substitute teacher at a... Continue Reading →

‘2:22 A Ghost Story’ (The King’s Theatre, Glasgow) | Review By Keiran McLean

Have you ever thought you heard something, and you don’t know what it is. Is it a ghost? The wind? You’re imagination? And no one believes you - everyone thinks you’re crazy…until…. 2:22 A Ghost Story hits the stage in Glasgow’s King’s Theatre with the award winning, star studded, brilliantly funny supernatural thriller gaining attraction... Continue Reading →

‘Pretty Woman The Musical’ (Theatre Royal, Glasgow) | Review By Rebecca Donati

‘Pretty Woman The Musical ’ by Ambassador Theatre Group Productions has hosted it’s extremely exciting Scottish premiere at the Theatre Royal in Glasgow following it’s roaring success in the West End. This excellent adaptation merges everything you want from this production with movie easter eggs, movie quotes, a visually stimulating design and its very own... Continue Reading →

‘Aladdin – The Musical’ (Edinburgh Playhouse) | Review By Lewis C. Baird

After years of waiting, Disney’s international hit ‘Aladdin’ has finally embarked on its maiden UK Tour, opening in Scotland’s very own Edinburgh Playhouse. The story follows down on his luck Aladdin as he desires more than the poor life he currently leads. His fortune changes when he bumps into Princess Jasmine and is then recruited... Continue Reading →

‘Treason – The Musical’ (Edinburgh Festival Theatre) | Review By Lewis C. Baird

Remember, remember, the 5th of November, gunpowder, treason and plot. I see no reason, why gunpowder treason, should ever be forgot.  Guy Fawkes’ world comes to life in the international premiere of ‘Treason’, a brand-new musical, which is about to embark on a UK Tour. The musical debuts this week at the Edinburgh Festival Theatre,... Continue Reading →

‘Nae Expectations’ (Tron Theatre)| Review by Rebecca Donati

‘Nae Expectations’ is a Glaswegian sensation which turns a challenging classic piece of literature  into a humorous and accessible performance. Produced by the Tron Theatre Company the artistic director Andy Arnold works again with Gary McNair to deliver this irreverent and dynamic adaptation  to Scottish audiences.  Pip is just your average wee guy – happy... Continue Reading →

‘Dear Daddy, Who Art In Heaven’ (Impact Arts)| Review by Matt McBrier

From the complex relationship between religion and queer theory, "Dear Daddy, Who Art in Heaven" emerges as a refreshing and bold exploration of the intersection between faith, identity, and sexuality. Trevor Telesz's witty writing blends humour and introspection, creating an engaging narrative that both challenges and entertains. The play revolves around a young man grappling... Continue Reading →

‘Jesus Christ Superstar’ (The King’s Theatre Glasgow) | Review By Rebecca Donati

‘Jesus Christ Superstar’ is a contemporary wonder.  Timothy Sheader directs this mesmerizing new production of the iconic global phenomenon, Jesus Christ Superstar which comes to Glasgow King’s for one week only! Starring Julian Clary as Herod*, Ian McIntosh as Jesus, Shem Omari James as Judas and Hannah Richardson as Mary. Originally staged by London’s Regent’s... Continue Reading →

‘Quiz: The Coughing Major Millionaire Scandal’ (The King’s Theatre, Glasgow) | Review By Rebecca Donati

‘Quiz: the Coughing Major Millionaire Scandal’ is a thought provoking depiction of controversy and conformity. An excellent time capsule of British “culture” and attitudes. This two sided, black and white version of events is a mind spinning adaptation of the well known scandal. This slick, clever piece of theatre will have you on the edge... Continue Reading →

Scottish Ballet’s ‘Twice Born’ (His Majesty’s Theatre) – Review by Hannah Davidson

Scottish Ballet return to Aberdeen for one night only with their latest commissioned piece, ‘Twice-Born’. The double bill of contemporary ballet showcases two contrasting pieces by Olivier award winning dancer, Dickson Mbi (Twice-Born) and internationally acclaimed choreographer, Cayeton Soto (‘Schachmatt’).  Split into two acts, Soto’s piece ‘Schachmatt’ (Checkmate!) is presented as the first act. Soto... Continue Reading →

‘Sister Act’ (Edinburgh Festival Theatre) | Review By Lewis C. Baird

‘Sister Act’ the musical is back on the road and is touring the UK with its new London Palladium production. This stage adaptation of the 1992 film follows Deloris Van Cartier as she goes into hiding in a convent, when witnessing her boyfriend (Curtis Jackson), murder one of his henchmen. Whilst in the convent, undercover as... Continue Reading →

‘Wake Up’ (Beacon Arts Centre) | Review By Rebecca Donati

‘Wake Up’ is a sensational display of physical theatre and storytelling at its best. This production is a  display of three very unique and interesting physical theatre performances. These three outstanding plays emerged from Solar Bear’s ‘Make a Change’  programme which is a space for deaf artists to experiment and develop creative ideas. A truly... Continue Reading →

‘ROMEO + JULIET’ (The King’s Theatre Glasgow) | Review By Rebecca Donati

'Romeo + Juliet' is an enthralling, revitalised retelling of a well loved classic. This modern twist version brings non-conformity and uninhibited love to the forefront. It screams rebellion with fresh dark and sultry lens. The production addresses many important topical societal conversations, a thought provoking production not to be missed!  Matthew Bourne's 'Romeo + Juliet'... Continue Reading →

‘2:22 – A Ghost Story’ (Edinburgh Festival Theatre) | Review By Lewis C. Baird

Following an acclaimed run in London’s West End, ‘2:22 – A Ghost Story’ has embarked on its maiden UK Tour. This chilling story follows new parents Jenny and Sam, as they face unexplained paranormal phenomena within their recently bought run-down house. When they invite Lauren and her new partner Ben to dinner, the four attempt to... Continue Reading →

‘And Then There Were None’ (Theatre Royal, Glasgow) | Review By Keiran McLean

A classic crime story has been rebirthed on stage for the loving fans of Agatha Christie and crime fans alike to flood the Theatre Royal in Glasgow to become detectives in this famous whodunit. Agatha Christie’s And Then There Were None follows ten strangers, who are lured to a solitary mansion on Soldier Island, off... Continue Reading →

‘Battery Park’ (Beacon Arts Centre) | Review By Keiran McLean

Have you ever imagined, breaking out of your small, rundown town to become a rockstar around the world? Battery Park follows the story of Greenock based band Battery Park, a rock band that were in the fast lane to stardom - when it all began to fall apart. Sleeping Warrior Theatre Company bring to the... Continue Reading →

Matthew Bourne’s ‘Romeo + Juliet’ (Edinburgh Festival Theatre) | Review By Erin Munro

Matthew Bourne’s: Romeo + Juliet is showing at the Edinburgh Festival Theatre from Tuesday 19th - Saturday 23rd September 2023. This bold reimagining transports the Shakespearian tragedy from 16th Century, fair Verona to the seemingly timeless Verona Institute where the young lovers are separated into Girls and Boys dormitories.   https://www.youtube.com/watch?v=2NesVA-4d-g This adaptation keeps the skeleton... Continue Reading →

Shrek The Musical – (His Majesty’s Theatre, Aberdeen) – Review by Hannah Davidson

Based on the hit 2001 ‘Best Animated Feature Film’ Academy Award winner and much-loved family favourite, Shrek the Musical is back entertaining audiences across the country. Shrek follows the story of an anti-social, highly territorial ogre whose peaceful swamp and solitude is disrupted by the overbearing ruler, Lord Farquaad when he attempts to banish a... Continue Reading →

Dracula: Mina’s Reckoning (His Majesty’s Theatre, Aberdeen) | Review By Hannah Cook

National Theatre of Scotland and Aberdeen Performing Arts in association with Belgrade Theatre, Coventry presented Dracula: Mina’s Reckoning at His Majesty’s Theatre this week. The much anticipated retelling of Bram Stoker’s classic sunk its teeth into Aberdeen theatre-goers, with thrilling staging, playful humour and terrifying jumpscares. We follow the story under the buzzing lights of... Continue Reading →

‘Chasing Butterflies’ (10Dome – Pleasance Dome)| Review By Keiran McLean

On the chase, hunting the prolific Butterfly Butcher - Detective Richard finds himself hunting the unhuntable. Tracking a killer with no M.O and no patterns to hunt towards lead. As the butcher terrorises London, Richard has to catch his killer, without falling into the out of his own madness. No one is safe. Everyone should... Continue Reading →

‘Les Millénniables’ (The SpaceUK, Niddry Street) | Review By Lewis C. Baird

‘Les Millénniables’ is a spoof contemporary retelling of Victor Hugo’s iconic tale, surrounding millennials and the struggles they have faced within the 21st Century.  The American cast of this production showcase amazing talent through their versatile vocals, comic timing and general openness to embrace the farcical nature of this production. The energy they consistently provide... Continue Reading →

‘Godot is a Woman’ (Forth – Pleasance Courtyard) | Review by Rebecca Donati

‘Godot is a Woman’ by Silent Faces is an outstanding display of political physical theatre and the impact it can have in today’s theatres. It challenges copyright laws and outdated gender ideals whilst playfully exploring the topics’ cultural significance. Since Samuel Beckett wrote Waiting for Godot, he and his estate have notoriously challenged - often... Continue Reading →

‘JM Coetzee’s Life & Times Of Michael K’ (Main Hall – Assembly Hall)| Review By Rebecca Donati

'JM Coetzee’s Life & Times Of Michael K’ is visually extraordinary with remarkable storytelling. Coetzee’s novel has been adapted by Lara Foot in collaboration with the Handspring Puppet Company. Produced by The Baxter Theatre Centre and Dusseldorfer Schauspielhaus. This production explores imprisonment, escapism, love and loss in the most beautifully balanced way. The hauntingly beautiful... Continue Reading →

Kitchen Underwear (Greenside, Infirmary Street), | Review by Marcus Lundie

When Ash and Zee move into their tiny Edinburgh apartment, they begin to navigate the emotional rollercoaster that is their early twenties. What they don’t expect is confronting the ageold question of, "do I want to date you, or do I just want to be you?" “Kitchen Underwear” details the highs and lows of sapphic... Continue Reading →

‘A Perfectly Average Glimpse into a Perfectly Average Day’ (ZOO Playground 2) | Review by Stacey Brown

A Perfectly Average Glimpse into a Perfectly Average Day is a collection of five very different monologues that exude dark humor. From an obsessive nosy neighbour to a bitter swimming coach to a pissed-off best man, Millie Haldane has taken very ordinary scenarios and created an extraordinary hour of theatre. Stripped back from technological fanfare,... Continue Reading →

‘Violet And Me’ (Pleasance Attic – Edinburgh Fringe Festival) | Review By Sam Eastop

With what feels like an infinite amount of shows to view at this year's Edinburgh Fringe, settling in to a small little venue to see Dorothy Lyman's one woman show felt like a nice, and needed, change of pace from the hustle and bustle going on outside in the Pleasance Courtyard. 'Violet and Me' is... Continue Reading →

‘God Catcher’ (Ermintrude – Underbelly, Bristo Square) | Review By Lewis C. Baird

There is an obscene amount of new musicals debuting at the Fringe this year, but one has been the talk of the town, and that’s ‘God Catcher’. ‘God Catcher’ reimagines the story of Arachne, the most talented weaver in all of ancient Greece. In the myth, after defeating the goddess Athena in a weaving challenge,... Continue Reading →

‘Shadow Boxing’ (Studio 2, Assembly – George Square) | Review By Keiran McLean

Shadow Boxing is a hard hitting, one-man show depicting the story of a gay, male, champion boxer who proved to the sporting world that even after being outcast and blacklisted, his talent and dedication would prevail. Shadow Boxing - written by James Gaddas - had essentially next to no set. The stage lay bare with... Continue Reading →

‘The Hunger’ (Studio 4, Assembly – George Square) | Review By Keiran McLean

Barely surviving in an apocalyptic, disease ridden world on a farm running scarily short of supplies. Meghan and Deborah take refuge on their farm as they protect each other from the outside world, but when their trust and relationship gets put in jeopardy -  does your mum always know best? The set was very simple... Continue Reading →

‘Appraisal’ (Studio 2, Assembly – George Square) | Review By Keiran McLean

Have you ever hated your manager and wanted to get one back on them? Or better yet, have you ever been blackmailed by your employer in an abuse of power? In a tale of twists and suspense, Mountain Hare Productions Appraisal hits the stage of Assembly George Square to entertain us with a very funny... Continue Reading →

‘Greatest Days’, The King’s Theatre Glasgow | Review By Rebecca Donati

Hilarious comedy, stories of friendship and womanhood - we’ll Take That! ‘Greatest Days’ features more than 15 record-breaking Take That songs, alongside a heart-warming and hilarious story of love and laughter from Tim Firth, the award-winning writer of Calendar Girls, that will make your heart Shine.The musical follows five boy band obsessed best friends in... Continue Reading →

‘The Ocean at the End of the Lane’ (His Majesty’s Theatre, Aberdeen) | Review By Hannah Cook

National Theatre’s adaptation of Neil Gaiman’s best-selling novel ‘The Ocean at the End of the Lane’ has been let loose upon Aberdeen’s His Majesty’s Theatre this week with gripping effect.  It follows a man returning to his childhood home, finding himself standing beside the pond of an old Sussex farmhouse where he used to play.... Continue Reading →

‘42nd Street’ (Theatre Royal Glasgow) | Review By Rebecca Donati

Curve and Sadler’s Wells Production of ‘42nd Street’ is a dazzling, theatre extraordinaire. A truly remarkable display of craftsmanship. This performance will take your breath away from military like clean precision to eye capturing lighting design. Directed by Jonathan Church, choreographed and designed by Olivier Award winners Bill Deamer and Rob Jones. ‘42nd Street’ is... Continue Reading →

‘Hole’ (Paradise at Augustines- The Snug) | Review By Stacey Brown

Hole takes us on a journey into the human psyche, exploring the complexities of the human experience with a thought-provoking storyline. The juxtaposition of dark themes and humour create an unsettling and genuinely funny piece. In the setting of The Snug in Paradise at Augustines, Hole is an intimate experience between actor and audience. Hole... Continue Reading →

‘A Working Title’ (The Space on the Mile) | Review by Saskia Werkhoven

The best thing to see after a whole of watching new writing is watching a play about writing and the highs and lows of it. Cramped with time, a young writer has to deliver a story of some kind to his boss, but hit with a torrential writer's block, is faced with issues with what... Continue Reading →

Brass Colours (TheSpace – Surgeon’s Hall) | Review by Saskia Werkhoven

Fun for all ages to watch, Brass Colours brings us on a journey with musical instruments (some known, some less known) and shows us how music is a universal language and can bring us all together. From pieces we are all familiar with to original little bits, these 5 gentlemen give the audience an extremely... Continue Reading →

Dreams of a Clown (Greenside – Emerald Theatre) | Review by Saskia Werkhoven

Emotional, passionate, artistic and breath-taking, Soul Penny Circus gives us an incredible circus/physical theatre piece that stays with you for a long time. Told through movement and music, the performers invite the audience to take part in their games to remind us of the power of play, perfect for both children and adults (who need... Continue Reading →

In Memoriam (TheSpace – Surgeon’s Hall) | Review by Saskia Werkhoven

Nothing will make you feel more alive than a play about a funeral. In Memoriam is comedic, fast-paced and poignant, reflecting on the chaotic nature of organising a meaningful farewell of a loved one with some excellent one-liners and dad jokey humour that keeps you laughing for about 90% of the piece. An ensemble piece... Continue Reading →

‘An Interrogation’, Old Lab – Summerhall) | Review By Rebecca Donati

'An Interrogation' is a gripping, all encompassing drama which will suck you into a thrilling fight for power. Produced by Ellie Keel Productions. A young detective works against the clock as she questions a suspect who looks like the least likely person to be linked to a murder. He's a devoted son, a successful businessman... Continue Reading →

‘Concerned Others’, Demonstration Room – Summerhall) | Review By Rebecca Donati.

‘Concerned Others’ is  a visual masterclass, one of the most innovative productions at this years festival - not to be missed. Tortoise in a Nutshell is a multi-award winning Edinburgh-based visual theatre charity dedicated to creating world-class visual theatre that ignites the imaginations of audiences around the globe. This performance is part of the Made... Continue Reading →

‘Help Yourself’ (Demonstration Room, Summerhall) | Review By Rebecca Donati

‘Help Yourself ’is a fun, high energy satire which cleverly explores societies “need to fix” anyone who expresses any discomfort. The performance encourages the audience to create a comforting place for others to express, free of expectation. Produced by Emma Ruse Productions this performance challenges the audience to explore how they contribute to this toxic... Continue Reading →

‘Burnt Lavender’ (Greenside, Forest Theatre) | Review by Saskia Werkhoven

A lovely narrative on queer culture and history of being oneself executed beautifully through physical theatre and cabaret-esque costumes does pull through although at times may feel underwhelming. Through a series of monologues, voice clippings and orders from a megaphone, the cast are showing their performative self and then their true self, although the difference... Continue Reading →

Noam Shuster Eliassi: Coexistence my A** (Bar 50, Upstairs) | Review by Saskia Werkhoven

If you’ve ever wondered how one can solve world peace, I highly suggest you go see Noam Shuster Eliassi, who can tell you all the complexities, joys and let downs of being an Iranian Jew activist from Israel/Palestine. Taking the stage in front of a crowded, incredibly small and unreasonably warm room you actually want... Continue Reading →

‘Before the Drugs Kick In’ (TheSpace, Surgeon’s Hall) | Review by Saskia Werkhoven

A festival that provides us with so many stand up comedians gives us also a fictional one called Lynn, a mother who made a “mistake” many years ago and has had to suffer the consequences of being isolated and scrutinized by society in the American suburbs. Based on real events, writer and director Mike Lemme... Continue Reading →

‘Adults’ (Traverse Theatre, Traverse 1) | Review By Lewis C. Baird

‘Adults’ is the newest work from renowned Scottish playwright Kieran Hurley. Hurley is best known for his plays ‘Mouthpiece’ and ‘The Enemy’, showcasing his unflinching voice when it comes to exploring complex contemporary themes and issues. Amongst a raft of anonymous Air BnBs in Edinburgh, ‘Adults’ follows thirty-something Zara who is running her own business... Continue Reading →

‘After The Act’ (Traverse Theatre, Traverse 1) | Review By Lewis C. Baird

‘After The Act’ is a new semi-verbatim musical that portrays the accounts of members of the LGBTQ+ community and those that opposed them during the 80s & 90s while section 28 was in place within our schools. This show uncovers the trauma and scars that have been left on a generation due to Margaret Thatcher’s... Continue Reading →

‘Little Women’ (Paradise In Augustines, The Studio) | Review By Katie McNulty

Bare Productions has returned to the Edinburgh Fringe Festival this year with their production of ‘Little Women’. A musical adaption of the classic novel by Louisa May Alcott with Music by Jason Howland, Lyrics by Mindi Dickstein, and a book by Allan Knee. This musical tells the story of the March sisters (Jo, Meg, Amy,... Continue Reading →

‘Divas: From Stage To Screen’ (Gilded Balloon, Patter Hoose – Other Yin) | Review By Lewis C. Baird

Cabarets are a big trend at this year’s Edinburgh Fringe. These intimate affairs come in a variety of forms with different narratives, influences and styles. However, since it’s debut last year Big Band Does Productions’ ‘Divas: From Stage To Screen’ has been the cabaret that everyone has been talking about. The female and non-binary-led show... Continue Reading →

Reuben Kaye: The Butch Is Back (Assembly George Square Gardens, Spiegeltent Palais Du Variete) | Review By Lewis C. Baird

The Butch is very much back. Reuben Kaye was the frontman for two five-star productions at last year’s Fringe, and this year he’s back in all his woke, edgy & filthy glory.  From the offset the audience are embedded in Reuben’s world. Bright colours, bold costumes and a sniff of drama in the opening number.... Continue Reading →

‘One Week In Magaluf’ (The SpaceUK, Surgeons Hall) | Review By Lewis C. Baird

Everyone loves a jukebox musical right? How about a musical that centers around a girl's holiday? Well, we think we found the perfect tonic to brighten up your Fringe. ERA Productions' 'One Week In Magaluf' is currently enjoying it's triumphant return to the Fringe with sellout audiences lapping up this fun, camp and hilarious romp.... Continue Reading →

Myra DuBois: Be Well (Pleasance Dome) | Review By Lewis C. Baird

Myra DuBois' career trajectory has somehow landed her back in Edinburgh for another run at the Fringe. And having seen her hit show last year, I wanted to see the sense of loathing from DuBois, being back in a packed room with some of her admirers. For those not familiar with Myra DuBois, she is... Continue Reading →

Larry Dean – ‘Work In Progress’ (Monkey Barrel Comedy) | Review By Sam Eastop

Larry Dean entertains audiences at Monkey Barrel Comedy in this Year’s Edinburgh Fringe with a work in progress show. Having watched quite a bit of his stuff online, I was very excited to finally see Dean in the flesh in front of an eager Fringe crowd. Dean starts with some humble, polite audience interaction with... Continue Reading →

‘Garage Warriors’ (Raw Toast Productions) | Review By Sam Eastop

After seeing Raw Toast’s debut at last year’s Edinburgh Fringe, I knew I had to see what they had in store this year. With Raw Toast member Lewis Aitken in the writer’s chair for this outing, and returning Director Matthew Attwood, it seemed like a solid base for a good 50 minutes of comedy. When... Continue Reading →

‘Continental Comedy’ (Kilderkin) | Review By Marcus Lundie

Another comedy compilation show that’s part of this years’ PBH Free Fringe, ‘Continental Comedy’ features comedy stand up acts based all across the world that have come right here to the Edinburgh Fringe Festival. The show is emceed by the absolutely snort-cackle worthy Sharon Em, she is a wonderfully talented comedian who truly knows what... Continue Reading →

‘Bits ‘N’ Pieces’ (Leith Arches) | Review By Stacey Brown

As I walked into Leith Arches, I had been transported into an underground rave. The audience were buying drinks or dancing, or simply looking at the colorful lights and soaking in the atmosphere. I had heard great reviews of Saltire Sky's 'Bits N Pieces', so I was thrilled to experience it myself. Off the back... Continue Reading →

‘Nobody’s Talking About Jamie’ (Iron Belly, Underbelly Cowgate) | Review By Keiran McLean

From a bad break up to rooming with an extravagant American spin instructor - Nobody's Talking About Jamie hits the stage of Underbelly Cowgate to tell his story - from how he went from proposing to his ex girlfriend, to now being "that bitch". Jamie Finn blends storytelling, comedy and original music as he explores... Continue Reading →

‘Sofa, So Funny, So Fringe.’ (Kilderkin) | Review By Marcus Lundie

Part of this years’ PBH Free Fringe, ‘Sofa, So Funny, So Fringe’ is a stand-up compilation show brought to us by the hilarious Leslie Gold and the witty Nick Kirk. This show is fantastic, incredibly smart humour which really bases itself off of the naturalistic mundane, which I personally love. Nick Kirk has some fabulous... Continue Reading →

‘24,23,22’ (Iron Belly, Underbelly Cowgate) | Review By Keiran McLean.

Imagine you wake up, it's a normal day…..but is it really? Imagine waking up and not knowing that every decision you make that day will change your life drastically - or end it. Chronic Insanity bring to the fringe a tale of two people's life's that inherently change the others drastically. Fran progresses through the... Continue Reading →

‘Big Fish’ (Music Hall, Assembly Rooms) | Review By Rebecca Donati.

Big Fish is a thought provoking tale which allows the extremely talented performers from the Royal Conservatoire of Scotland to shine. Edward Bloom's larger-than-life stories delight everyone – much to the dismay of his pragmatic son, Will. As Edward's health deteriorates and the realisation of a future without his father sets in, Will embarks on... Continue Reading →

‘Sunshine On Leith’ (Bijou, Assembly Rooms) | Review By Rebecca Donati.

Sunshine on Leith is a fun, heart capturing exploration of what it means to be human following mistakes, tribulations, love and forgiveness.  Captivate Theatres' vibrant, energetic, emotional, sell-out production is back. Sunshine on Leith by Stephen Greenhorn follows the highs and lows of Ally and Davy as they negotiate families, friendships and love in this... Continue Reading →

Ed (Zoo Playground) | Review by Marcus Lundie

Ed: the new, totally unofficial, ginger-inclusive parody sketch show is a late-night comedy parodying Ed Sheeran’s rise to stardom is premiering at this year’s Edinburgh Festival Fringe. Accompanied by a glittering live band and fresh from a sold-out London run, makes its Edinburgh Fringe debut. ‘Ed’ is a positively mad experience for any audience member... Continue Reading →

‘MANikin’ (Leith Arches) | Review By Stacey Brown

MANikin follows the life of Fraser Patterson, a young, “porky” man from Aberdeenshire who struggles with bullies, girlfriends and his weight. We see him grow from a happy primary school boy, unknowing of the teasing that faces him at high school, to a young man who struggles to navigate his peers leaving him and finding... Continue Reading →

‘How To Bury A Dead Mule’ (JackDome, Pleasance Dome) | Review By Keiran McLean.

How To Bury A Dead Mule is a solo show that sees Richard Clements tell his grandfather -Norman Clements' story – a story shared by thousands and thousands of men that served inthe Second World War and severely suffered subsequently with what they had witnessed.Arriving at the Edinburgh Fringe - Pleasance Done - after an... Continue Reading →

‘Best Man’ (The Wee Coo, Underbelly George Square) | Review By Keiran McLean.

The role of a best man is pretty simple when you break it down - plan a cracking stag do andright a really funny, embarrassing speech for the groom. This speech was funny andembarrassing, but for all the wrong reasons and for the wrong person. Best Man by Colman Hayes and Mikey Fleming hits this... Continue Reading →

‘The Collie’s Shed’ (Other Yin, Patter Hoose Gilded Balloon) | Review By Keiran McLean.

When the Iron Lady closed the doors to the mines around the UK, hundreds of thousands ofminers lost their jobs and began one of the most famous strikes in British history to fightagainst the hierarchy. Shelly Middler's The Collie's Shed comes to the Gilded Balloon toexplore the drastic effect it had on four miners in... Continue Reading →

‘The Real William Shakespeare… As Told By Christopher Marlowe’ (Greenside @ Riddles Court) | Review By Stacey Brown.

We’ve all heard the theories about Shakespeare. He was actually a woman, he was a collection of people, or he wasn’t a person at all. Well, this play isn’t a theory; it’s a hallucination. Written by Shaul Ezer, The Real William Shakespeare... As Told by Christopher Marlowe does everything it says on the tin. We... Continue Reading →

‘Pitch’ (Above, Pleasance Courtyard) | Review By Rebecca Donati.

An energetic  (foot)...ball of queer joy,  Pitch will take you through a journey of the importance of finding that sense of self and more importantly being integrated into a community which understands you. It comes as no surprise that this performance is a  winner of the Pleasance Charlie Hartill Reserve Fund. This topical, stylised piece... Continue Reading →

Dusk (Lyceum Theatre) l Review by Marcus Lundie

Brazilian film and theatre director Christiane Jatahy brings her theatrical work to the UK for the first time in this arresting performance of Dusk, based on Lars von Trier’s film Dogville. Attempting to escape the oppressive, quasi-fascist regime of her country, a young Brazilian woman Graça flees her homeland. She finds refuge in a community of theatre artists staging Dogville and... Continue Reading →

‘What Girls Are Made Of’ (Music Hall, Assembly Rooms) | Review By Rebecca Donati.

Renowned production 'What Girls Are Made Of' by Cora Bissett leaves you psyched up, ready to take on the world and kick it’s arse! Produced by Raw Materials and Traverse Theatre Company and directed by award winning director Orla O’Loughlin this production asks what knowledge can we pass onto future generations? It urges you to... Continue Reading →

‘Bitter Lemons’ (Beneath, Pleasance Courtyard) | Review By Rebecca Donati.

Bitter Lemons is a punchy, riveting, energetic ball of feminine acknowledgement. In the pressurised worlds of football and finance, two women carve their own path. After the loss of her dad, a goalkeeper prepares for the league final, while an ambitious banker battles her fears of being tokenised to secure a promotion. But as their... Continue Reading →

‘Self-Raising’ (QueenDome, Pleasance Dome) | Review By Rebecca Donati.

Self-Raising is an emotional whirlwind of an experience which must be enjoyed by all. Growing up Deaf in a family with a secret concealed from both her siblings and herself, shaped Jenny Sealey’s childhood. Discovering the truth a few years ago, she was sent into a spin as she realised that her life could have... Continue Reading →

Improv Therapy (TheSpace Triplex) | Review by Saskia Werkhoven

A concept that is interesting and cute – improvisation to deal with the things that are tough, emotional, embarrassing and make them comical and ensure trust in yourself and others. There is still some work to be done. We find Megan McCaleb and Jeanette Caremi: two extremely positive and engaged performers who are very upbeat... Continue Reading →

Holly Spillar: Hole (Underbelly: Bistro Square) | Review by Saskia Werkhoven

A microphone and a loop pedal is all that accompanies Holly Spillar on stage by the Underbelly hall. And it works like a charm. It becomes an extension of her as she gives a performance that highly memorable and lives up to its expectations of being hysterical and incredibly informative! Spillar discusses the troubles of... Continue Reading →

Mystery House (The Turret, Gilded Balloon) | Review by Saskia Werkhoven

Tucked away at the top of the Turret in the Gilded Balloon, Mystery House, written and performed by Wendy Weiner, tells us the tale of Sarah Winchester and her infamous home in California she spent 38 years building in order to keep spirits at bay. A stiff start to the performance in a small space does... Continue Reading →

‘RENT’ (Paradise in Augustines- The Sanctuary) | Review By Stacey Brown

First of all, happy Fringe ’23 everyone! Edinburgh is jammed packed with new, weird and wonderful performances. However, there’s nothing quite like finding your favourite show with a Fringe Festival makeover this August Jonathan Larson’s RENT is a staple in modern musical history and a personal favourite of mine. It redefined the Rock Opera genre,... Continue Reading →

‘Winnie The Pooh’ (Edinburgh Festival Theatre & Glasgow King’s Theatre) | Review By Katie McNulty

Jonathan Rockefeller has created a new musical stage adaption of ‘Disney’s: Winnie ThePooh’ has just visited the Festival Theatre in Edinburgh as a part of its UK premiere. It’sa production that invites the audience into the Hundred Acre Wood to follow the adventures of Pooh Bear and friends throughout the seasons. The musical is set... Continue Reading →

‘Footloose’ (Tivoli Theatre, Aberdeen) | Review By Hannah Davidson

Giz Giz Youth Theatre celebrates their 40th anniversary as Aberdeen’s longest running youth theatre company with the hit musical, ‘Footloose’, based on the classic 1984 film of the same name.  Footloose follows Ren McCormack, a feisty teenager whose city life is turned upside down when he and his mother leave Chicago for backwater Bomont. As... Continue Reading →

‘Kinky Boots’ (The Lyric Musical Society – His Majesty’s Theatre, Aberdeen) | Review By Hannah Cook

The Lyric Musical Society put boots on the ground at His Majesty’s Theatre this week with the uplifting and feel-good Kinky Boots. Inspired by true events, Kinky Boots follows the story of Charlie Price. Having inherited a failing shoe factory from his father, Charlie forms an unlikely partnership with a drag queen named Lola, who inspires... Continue Reading →

‘The Mousetrap’ (His Majesty’s Theatre, Aberdeen) | Review By Hannah Cook

The longest-running show in the world has landed in His Majesty’s Theatre in Aberdeen this week. The Mousetrap by Agatha Christie premiered in November 1952 in London, with Christie estimating the show would only last 8 months. This current UK tour now marks its 70th anniversary.  This murder mystery follows the newlywed Ralstons hosting a... Continue Reading →

‘The Best Exotic Marigold Hotel’ (Edinburgh Festival Theatre) | Review By Katie McNulty

Based on the novel ‘These Foolish Things’ which inspired the film with a star-studded cast, the Edinburgh Festival Theatre hosts ‘The Best Exotic Marigold Hotel’. A production written by Deborah Moggach and directed by Lucy Bailey. It’s a drama-comedy that follows a group of elderly brits who – for different reasons – have all travelled... Continue Reading →

‘The Stamping Ground’ (Edinburgh Festival Theatre) | Review By Sam Eastop

All I knew about “Stamping Ground” going in was that it was set in the highlands and that it was a Runrig jukebox musical. Having not delved into the long and weathered discography of the Scottish musical legends myself, I recognised nothing other than “Loch Lomond” amid their Spotify top 5 most streamed songs, meaning... Continue Reading →

‘The King and I’ (Glasgow King’s Theatre) | Review By Lewis C. Baird

Bartlett Sher’s revival of ‘The King and I’ has embarked on a brand-new UK Tour, stopping off in Glasgow until Saturday 20th May. Set in 1860s Bangkok, the musical tells the story of the unconventional and tempestuous relationship that develops between the King of Siam and Anna, a British schoolteacher whom the modernist King, in... Continue Reading →

‘A Streetcar Named Desire’ (Scottish Ballet) | Review By Hannah Cook

Last performed in Scotland in 2015, Scottish Ballet is back with its production of A Streetcar Named Desire. This production rejuvenates the enduring masterpiece of Tennese Williams’ original work with stylish design, impeccable dance and heartbreaking tragedy to His Majesty’s Theatre. Grace Paulley's portrayal is compelling as the unstable Blanche Dubois. We watch the character... Continue Reading →

‘The Mousetrap’ (Edinburgh Playhouse) | Review By Matthew Attwood

Adam Spiegel presents Agatha Christie’s The Mousetrap, a historic 70th-anniversary production of the longest running murder mystery play. Growing up as a devoted fan of murder mysteries, this reviewer was excited to be caught up in the thrilling experience of an intricate murder mystery plot penned by the great Agatha Christie. Set in rural England,... Continue Reading →

‘Ayetanic’ (His Majesty’s Theatre, Aberdeen) | Review By Hannah Cook

Aberdeen Student Show sets sail once again for its 102nd year with ‘Ayetanic’. The Student Show has been a regular occurrence in His Majesty’s Theatre since 1921, each show reflecting the culture and humour of the North-East. With all profits raised by its parody performances going towards local charities, with last year’s ‘Dirty Danestone’ raising... Continue Reading →

‘The Ocean at the End of the Lane’ (Edinburgh Festival Theatre) | Review By Lewis C. Baird

National Theatre have unleashed their stage adaptation of Neil Gaiman’s hit novel ‘The Ocean at the End of the Lane’ on a UK tour. Returning to his childhood home, a man finds himself standing beside the pond of the old Sussex farmhouse where he used to play. He’s transported to his 12th birthday when his... Continue Reading →

‘Stornoway, Quebec’ (Theatre Gu Leòr in association with An Lanntair) | Review By Hannah Cook

The time is 1888. We’re in Stornoway, Quebec. It’s bitingly cold and five people are trapped in a remote saloon during a hellish snowstorm. One is a bounty hunter, fueled on whiskey with a score to settle. Another is the most wanted man in Canada. Inspired by a true story, Calum L MacLeoid’s Gaelic Western explodes... Continue Reading →

‘The Best Exotic Marigold Hotel’ (His Majesty’s Theatre, Aberdeen) | Review By Hannah Cook

Based on the Sunday Times bestseller that inspired the much-loved film, The Best Exotic Marigold Hotel follows a rag-tag group of British retirees as they settle in what is promised to be a residential paradise, perfect for adventure and new opportunities. They find disappointment with foul food and run-down accommodation, but endure as they begin... Continue Reading →

‘9 To 5’ (Edinburgh Music Theatre) | Review By Lewis C. Baird

Edinburgh Music Theatre brings Dolly Parton’s hit musical ‘9 To 5’ to the Church Hill Theatre in Morningside until Saturday 8th April. ‘9 To 5’ follows Violet, Judy & Doralee as they struggle to work under their misogynistic and egotistical boss, Franklin Hart Jr. When they take matters into their own hands, things escalate quickly,... Continue Reading →

‘Kidnapped’ (National Theatre of Scotland) | Review By Lewis C. Baird

National Theatre of Scotland debuted their brand-new swashbuckling Rom-Com ‘Kidnapped’ at the Beacon Arts Centre last week, and we were lucky enough to be at the world premiere. ‘Kidnapped’ is based on the novel by Robert Louis Stevenson, 19-year-old Davie has never left home, never been kissed and never fired a gun. Armed with nothing... Continue Reading →

Climate Week North East: ‘Burnt Out’ (The Lemon Tree, Aberdeen) | Review By Hannah Cook

In the midst of Climate Week North East, The Lemon Tree hosted Penny Chivas’ ‘Burnt Out’. A solo dance theatre work centred around our changing climate, utilising spoken word and movement to take us through Penny’s own experience of wild bushfires in Australia.  Starting with collecting matchsticks scattered across the floor in complete silence, it... Continue Reading →

‘Charlie And The Chocolate Factory’ (Edinburgh Playhouse) | Review By Lewis C. Baird

'Charlie And The Chocolate Factory' has finally begun it's first UK Tour bringing audiences a world of pure imagination. Based on the beloved Roald Dahl tale, this contemporary and colourful musical follows young Charlie Bucket, and his Grandpa Joe as they join a small group of contest winners who get to tour the magical and... Continue Reading →

‘Annie’ (Edinburgh Playhouse) | Review By Lewis C. Baird

The hit Broadway & West End Musical ‘Annie’ has arrived at the Edinburgh Playhouse as part of it’s new UK Tour. The story follows a confident New Yorker orphan, Annie, as she longs to find her parents. When she is invited to spend Christmas with billionaire Oliver Warbucks, could she finally have found a way to leave... Continue Reading →

‘Sad Girls Club’ (Glasgow Comedy Festival) | Review By Rebecca Donati

'Sad Girls Club' is a hilariously relatable satire performing at the Glasgow Comedy Festival! On Mother’s Day weekend this ode to women fits perfectly on the rostra whilst simultaneously encouraging donations to two charities both Back Off Scotland and Glasgow Women’s Aid. This empowering piece of writing packs a punch covering a range of women's... Continue Reading →

‘Charlie and The Chocolate Factory’ (His Majesty’s Theatre, Aberdeen) | Review By Hannah Cook

Charlie and the Chocolate Factory made its Scottish Premiere as its first stop on the UK and Ireland Tour in Aberdeen this week in colourful style and dazzling spectacle. Anyone familiar with Roald Dahl’s story will know the story of Charlie Bucket. A young boy from an impoverished family and four other children win a... Continue Reading →

A Play, A Pie And A Pint – ‘The Worm Who Turned’ (The Lemon Tree, Aberdeen) | Review By Hannah Cook

A Play, A Pie and A Pint returns to Aberdeen at the Lemon Tree this week with a mini musical; The Worm Who Turned. A clever production involving high drama within the vegetable patches of the Juliet Allotments of Glasgow’s West End. Adulterous husband Ford and his mistress Jane plan to sell the much loved allotments... Continue Reading →

‘The Rocky Horror Show’ (Edinburgh Playhouse) | Review By Lewis C. Baird

'The Rocky Horror Show' has returned to Edinburgh, the cult musical features hits such as‘The Time Warp’ and ‘Sweet Transvestite’. The Edinburgh Playhouse is the final Scottish stop of the musical's current UK tour, playing Scotland's Broadway till 18th March 2023. The story follows young lovers, Brad and Janet. Their car breaks down outside a... Continue Reading →

‘Peaky Blinders: The Redemption of Thomas Shelby’ (Edinburgh Festival Theatre) | Review By Lewis C. Baird

Rambert Dance in association with Birmingham Hippodrome bring the BBC’s critically acclaimed drama, ‘Peaky Blinders’, to stage in the form of dance. This production digs deep into the relationships between characters, giving insights to origin stories and struggles that we never seen on screen. ‘Peaky Blinders: The Redemption of Thomas Shelby’ plays Edinburgh’s Festival Theatre until... Continue Reading →

‘Movies To Musicals’ (King’s Theatre Glasgow) | Review By Keiran McLean

Ross Gunning and his extremely talented cast of young performers - joined alongside by West End and Broadway stars Laura Pick, Alistair Brammer and Louise Dearman - hit the stage in front of a packed Theatre Royal, performing a variety of styles and genres of musical theatre - showcasing their development and excellent range (both... Continue Reading →

‘The Bodyguard’ (Edinburgh Playhouse) | Review By Lewis C. Baird

‘The Bodyguard’ has turned into a mega-hit of a musical, featuring the music of Whitney Houston, athrilling and engaging storyline. Plus, the greatest love of all… well kind of. Former Secret Service agent turned bodyguard, Frank Farmer, is hired to protect superstar Rachel Marron from an unknown stalker. Each expects to be in charge –... Continue Reading →

‘Anything Goes’ (Forth Children’s Theatre) | Review By Sam Eastop

This being my third Forth Children’s Theatre production I knew I could expect an entertaining evening at the Edinburgh Tabernacle, with an ultra-talented cast, I couldn’t wait to see what they had in store for me. I had never seen the show Anything Goes before and knew nothing going in, so all was a surprise,... Continue Reading →

‘All Shook Up’ (Bohemians Lyric Opera Company) | Review By Katie McNulty

The Bohemians Lyric Opera Company presents ‘All Shook Up’. A jukebox musical made up entirely of Elvis Presley numbers with a book written by Joe DiPietro. Set in the 1950s, the plot is clearly inspired by William Shakespeare’s ‘Twelfth Night’ with an abundance of love triangles and the leading lady, Natalie disguising herself as a... Continue Reading →

‘Macbeth (An Undoing)’ Royal Lyceum Theatre Edinburgh | Review By Katie McNulty

‘Macbeth (an undoing)’ by Zinnie Harris is a new play that reimagines the famous Shakespearean tragedy. The story starts very loyal to the original text. The deviation only begins when Macbeth returns home from battle, a thane of Glamis and Cawdor with the promise of becoming king. Harris’s work explores the gender roles within the... Continue Reading →

‘The Bodyguard’ (Glasgow King’s Theatre) | Review By Rebecca Donati

Start your night off with a bang..literally! The international, award-winning smash-hit musical TheBodyguard is back! Starring Pussycat Doll, and multi-platinum Grammy nominated Melody Thornton* asRachel Marron and Ayden Callaghan (Emmerdale, Hollyoaks) as Frank Farmer. Former Secret Serviceagent turned bodyguard, Frank Farmer, is hired to protect superstar Rachel Marron from an unknownstalker. Each expects to be... Continue Reading →

‘Jersey Boys’ (Edinburgh Playhouse) | Review By Lewis C. Baird

'Jersey Boys' is back out on the road, touring the UK once again. This production is one of the most iconic stage musicals of the 21st century and audiences have been lapping up the story of Frankie Valli and The Four Seasons for almost twenty years. The story of “Jersey Boys” follows the bandmates of... Continue Reading →

‘Burns’ (Edinburgh Playhouse) | Review By Lewis C. Baird

‘Burns’ is a show thirty years in the making, conceived by an original idea from music giants David Gest and Michael Jackson, now brought to life on the Edinburgh Playhouse stage by Diane Aspinall and Tish Tindall. The story brings Robert Burns into the 21st century, adapting his life into a modern-day tale.   Tish... Continue Reading →

‘Snow White and the Seven Dwarfs’ (Edinburgh Festival Theatre) | Review By Lewis C. Baird

Edinburgh’s King’s Theatre may be closed for renovation but the annual Panto festive fun has relocated to Capital Theatres’ Festival Theatre for Crossroads Production's take on ‘Snow White & The Seven Dwarfs’. The classic fairytale has been revamped into a visually stunning and hilarious big budget extravaganza running until 22nd January 2023.  https://www.youtube.com/watch?v=CnwlwsY9KoA Allan Stewart... Continue Reading →

‘My Fair Lady’ (Edinburgh Playhouse) | Review By Lewis C. Baird

Bartlett Sher’s revival of ‘My Fair Lady’ has landed at the Edinburgh Playhouse for Christmas. Lerner & Loewe’s classic musical follows Eliza Doolittle’s rise from the gutters of Covent Garden in 1913 to the grandeur of an embassy ball, all under the watchful eye of Professor Henry Higgins and Colonel Pickering. Playing the Playhouse until... Continue Reading →

‘Beauty & The Beast’ (Forth Children’s Theatre) | Review By Sam Eastop

Having been a bit of a Panto-hater until recently when a friend of mine dragged me along to see one he regarded as the best around, I was incredibly excited to see this production of ‘Beauty & the Beast – The Panto’ at the Wee Hub at Ocean Terminal. I had seen a production from... Continue Reading →

‘Beauty and The Beast’ (Glasgow King’s Theatre) | Review By Keiran McLean

It's December and that time of year finally comes back around…it's Panto time! The family event that has become a staple in Scottish theatre and never fails to put a smile on everyone's face. The King's Theatre's illustrious panto returns once again - with Crossroads Pantomimes, this year we are treated to the beloved tale... Continue Reading →

‘The Commitments’ (Edinburgh Playhouse) | Review By Lewis C. Baird

‘The Commitments’ has rolled into Edinburgh, playing the Edinburgh Playhouse until Saturday 3rd December. Based on Roddy Doyle’s novel and 1991 motion picture, ‘The Commitments’ follows a riotous Irish band whose talent is compromised by the bandmate’s rocky relationships.  This is very much an ensemble lead production where each cast member is key in delivering... Continue Reading →

‘The Snow Queen’ (Scottish Ballet) | Review By Marcus Lundie

Scottish Ballet’s winter show, 'The Snow Queen' sends chills through audiences at Edinburgh’s Festival Theatre with their spell-binding interpretation of Hans Christen Andersen’s classic tale. The story surrounds two sisters; the Snow Queen and the Summer Princess. From the bustle of a winter’s market to the shivers of a fairytale forest, take a journey to... Continue Reading →

‘Bugsy Malone’ (Edinburgh Playhouse) | Review By Lewis C. Baird

The West End and UK Touring production of ‘Bugsy Malone’ has arrived in Edinburgh. This farcical tale follows rivals Fat Sam and Dandy Dan as they attempt to do one another out of business, this production features splurge guns and custard pies galore. Playing at the Edinburgh Playhouse till Sunday 20th November.  https://www.youtube.com/watch?v=hlijaVOFuwE ‘Bugsy Malone’... Continue Reading →

‘Sister Act’ (Glasgow King’s Theatre) | Review By Keiran McLean

The King's Theatre transforms itself into the majestic, and slightly crumbling, holy convent as we prepare to be left in stitches from laughter with sore cheeks from smiling at this incredible production of 'Sister Act'. Disco diva Deloris’ life takes a surprising turn when she witnesses a murder. Placed under protective custody she is hidden... Continue Reading →

‘Pride and Prejudice (*Sort Of)’ (Glasgow King’s Theatre) | Review By Rebecca Donati

Born and bred in Glasgow ‘Pride and Prejudice* (*sort of)’ is an absolute delight. The iconic novel reimagined to stage by Isobel McArthur, Pride and Prejudice* (*sort of) is a unique and audacious retelling of Jane Austen’s most iconic love story. Men, money and microphones will be fought over in this irreverent but affectionate adaptation,... Continue Reading →

‘Legally Blonde’ (Church Hill Theatre) | Review By Lewis C. Baird

The colour pink, adorable dogs and showstopping musical numbers are all taking over Edinburgh this week, in Allegro’s much anticipated production of ‘Legally Blonde’. The musical is based on the 2001 motion picture that starred Reece Witherspoon. The story follows Elle Woods as she moves from her glamourous life in Malibu to become a law... Continue Reading →

‘Saturday Night Fever’ (Edinburgh Playhouse) | Review By Sam Eastop

I had never seen the film of ‘Saturday Night Fever’ so didn’t know what to expect other than flared costumes, disco music, and DANCE. The show, on at the Edinburgh Playhouse, delivered on those aspects and much more. The musical follows Tony Manero as he works a dead-end-job and spends his nights dazzling his friends... Continue Reading →

‘Girl From The North Country’ (Edinburgh Playhouse) | Review By Lewis C. Baird

‘Girl From The North Country’ has arrived in Edinburgh after dazzling audiences in London’s West End and cities across the UK. The musical surrounds the guests, and family of a guesthouse in Duluth Minnesota in 1934 during the time of the great depression. ‘Girl From The North Country’ runs at the Edinburgh Playhouse until 22nd... Continue Reading →

‘James IV: Queen Of The Fight’ (Theatre Royal, Glasgow) | Review By Keiran McLean

From sword fighting, to pretend tournaments, to reconciling relationships. James IV is a masterclass for Scottish theatre and another hit in the chain of Rona Munro's James series. National Theatre of Scotland's, James IV tells the tale of King James IV, Queen Margaret, Lady Anne and Lady Ellen and the turmoil within the royal quarters... Continue Reading →

‘Dreamgirls’ (Glasgow King’s Theatre) | Review By Keiran McLean

Dreamgirls takes to the stage of Glasgow's Kings Theatre to entertain an audience with classic songs, heartbreak and redemption. https://www.youtube.com/watch?v=VUMo8j1BjZw Tom Eyen's Dreamgirls is a beautiful musical loved by millions for its wonderful story of the trials and tribulations of The Dreams, a trio that went from rising backing singers to world famous phenomenons. The... Continue Reading →

‘The Cher Show’ (Edinburgh Festival Theatre) | Review By Lewis C. Baird

The icon and legendary singer Cher has finally had her life turned into a stage musical in a modern adaptation directed by Arlene Phillips. ‘The Cher Show’ is currently playing the Edinburgh Festival Theatre until Saturday 15th October. https://www.youtube.com/watch?v=exivtEPXh0M Millie O’Connell presents innocence, youth and a desire for fame as Babe, the youngest of Cher’s... Continue Reading →

‘South Pacific’ (Theatre Royal, Glasgow) | Review By Keiran McLean

Rodgers and Hammerstein’s classic award winning musical, South Pacific makes its way onto the stage at Theatre Royal, with Julian Ovenden and Gina Beck reprising their roles and leading a sensational cast in what was bound to be a must-see for fans and theatre lovers alike. South Pacific - based on a south pacific island... Continue Reading →

‘The Best Exotic Marigold Hotel’ (Theatre Royal Glasgow) | Review By Keiran McLean

From Britain to Bangalore - Deborah Moggach’s The Best Exotic Marigold Hotel returns to the stage at the Theatre Royal to showcase comedy, romance and unity in this beloved play. A group of youthful pensioners wanted a bit more for the remainder of their lives than sitting in a retirement home by the sea -... Continue Reading →

‘Movies To Musicals’ (Beacon Arts Centre) | Review By Keiran McLean

Ladies, gentlemen, and those who are yet to make up their minds. Movies to Musicals are back with their 2022 tour! Movies to Musicals 2022, produced by the Glasgow Philharmonia, are back with an all singing, all dancing superstar performance. Founded by Ross Gunning, Movies to Musicals are a charitable organisation who live and breathe... Continue Reading →

‘The Book of Mormon’ (UK Tour) | Review By Lewis C. Baird

The Mormons are back in Scotland after a triumphant run at the Edinburgh Playhouse last month. ‘The Book of Mormon’ follows Elder Price and Elder Cunningham as they head off to Uganda in an attempt to spread the lord’s word. Robert Colvin is great as Elder Price, the versatility in his portrayal and strong vocals... Continue Reading →

‘Girl From The North Country’ (Theatre Royal, Glasgow) | Review By Keiran McLean

A beautifully stylistic story infused with a sense of family and community, yet driven by individual stories and twists, accompanied by the fantastic music of Bob Dylan - Conor McPherson's Girl from the North Country hit the stage of the Theatre Royal for its Scottish premiere! Set in Duluth, Minnesota, a small, rundown guesthouse run... Continue Reading →

‘Bugsy Malone’ (Theatre Royal – Glasgow) | Review By Jennifer Mackie

Grab your splurge guns and watch out for those custard pies because Bugsy Malone rolled into Glasgow’s Theatre Royalthis week and it’s one for all the family to enjoy! Set during the Prohibition era in New York, a time where mobsters, showgirls and dreamers coveted the streets, two rival gangster bosses are at loggerheads. Fat Sam and Dandy... Continue Reading →

‘Rock Of Ages’ (Glasgow’s Kings Theatre) | Review By Becky Campbell

If you’re looking for a high-energy, 80s display of sex, drugs and rock and roll, Rock of Ages at the King’s Theatre in Glagsow is your ideal night out! Rock of Ages follows the story of a young country sweetheart Sherrie Christian as she makes the move to the Sunset Strip seeking stardom. Instead, she... Continue Reading →

’20 Minutes of Action’ (The Pleasance – Pleasance Beneath) | Review By Matthew Attwood

Lionheart Theatre presents 20 Minutes of Action. An exhilarating piece of theatre exploring the topic of women’s safety through the lens of a controversial sexual court case in recent American history. Collating the statements, letters, and transcripts of those involved, 20 Minutes of Action lays bare the failings of the criminal justice system in cases... Continue Reading →

‘Murder, She Didn’t Write’ (Pleasance – Pleasance Beyond) | Review By Matthew Attwood

Degrees of Error, provide a wonderful improvised comedy in the style of a 1920’s murder mystery. ‘Murder She Didn’t Write’ puts the audience at the centre of the action as the cast brilliantly orchestrate a brutal murder in the Cluedo game style. A different murder for every show at the Pleasance Beyond- Pleasance Courtyard from... Continue Reading →

‘as british as a watermelon’ (Edinburgh International Festival) | Review By Erin Munro

'as british as a watermelon’ is running as part of the Edinburgh International Festival programme Refuge at The Studio - Potterrow.  The series, in partnership with Scottish Refugee Council questions ‘what it means to be international in today’s world.’ mandla rae, writer and performer of ‘as british as a watermelon’, pieces together fractured memories of... Continue Reading →

‘One-Woman Show’ (Traverse Theatre) | Review By Rebecca Donati

Liz Kingsman’s One-Woman Show is quintessential fringe material. This epic one-woman show is a comedic masterclass. Liz has the audience in the palm of her hand from the offset. Liz’s script drives you through the multitude of cliches that we are accustomed to seeing from modern writing of women.   Liz as a performer is absolutely... Continue Reading →

‘Tiger Lillies: One Penny Opera’ (Underbelly – Cowbarn) | Review By Matthew Attwood

On their 30th anniversary, the Tiger Lillies return to the Edinburgh Fringe with their dark, twisted and humorous One Penny Opera. ‘Based on the seminal 18th century Beggar's Opera the band present a new song cycle swarming with highwaymen, thieves, jailers, pimps, and prostitutes - a world of greed, crime, poverty, and inequality’. Fringe goers... Continue Reading →

‘Jungle Book reimagined’ (Edinburgh International Festival) | Review By Rhona Williams

Edinburgh International Festival presented Jungle Book Reimagined at the Festival Theatre this week, and what an absolute triumph it was. This piece of mesmerising physical theatre was choreographed by Akram Khan in the most spectacularly stunning way. The piece featured extremely impressive physicality from all of the performers, alongside striking animated projections and booming voice... Continue Reading →

‘Sweet FA’ (Tynecastle Park) | Review By Rebecca Donati

A heartwarming, enriching capsule of Scottish women's football. Sweet F.A gives you everything from live Scottish music to the hilarious depiction of the Scottish Football Association. Set during the first world war this performance highlights the importance of women's roles during the war. Taking over factory jobs from men the women played their part in... Continue Reading →

‘Amy Gledhill: The Girl Before the Girl you Marry’ (Carnivore 2 @ Monkey Barrel Comedy) | Review By Lauren Shaw

Amy Gledhill’s comedy is refreshingly honest and something every young girl in their 20s should be lucky enough to experience.  A small venue in Cowgate’s Carnivore, Amy fills the room with tears of laughter as she recalls her misfortunate in her past relationships.  Running from August 24th-28th, there is not enough dates for this show... Continue Reading →

‘Kai Samra: Native’ (Pleasance Dome – 10Dome) | Review By Sam Eastop

Kai Samra’s ‘Native’ was my first time sitting to review a stand-up comedian in any capacity. In his intensely personal and reflective piece, Samra takes the audience on a journey through his roots, his Grandfather’s inspiring story, and his challenging, yet rewarding upbringing. Samra starts off by saying the show is mainly about his Grandfather,... Continue Reading →

‘We Are Traffic – An Uber Adventure’ (Assembly Rooms – Drawing Room) | Review By Sam Eastop

Jonathan Tipton Meyers sits on stage in his cab awaiting the audience to take their seats and buckle in their seatbelts at the Assembly Rooms on George Street. In his amazingly honest, and thought-provoking storytelling show, he examines what humans are looking for, and how we all connect to each other in our own unique... Continue Reading →

‘Salamander’ (Pretty Knickers Productions – Greenside @ Riddles Court) | Review By Lewis C. Baird

Pretty Knicker Productions bring ‘Salamander’ to the Edinburgh Fringe 2022. Inspired by true events that took place in Leith in 1980, ‘Salamander’ follows a group of female sex workers as they meet in a local church to discuss poetry, life and... Freddie Mercury? This is in the aftermath of a young sex worker being murdered... Continue Reading →

‘Shrek the Musical’ (Rose Theatre Edinburgh) | Review By Rachel Clinton

‘Shrek the Musical’ tells the familiar tale of the much-loved ogre Shrek and his quest to regain his swamp from a gaggle of fairytale creatures after they are banished from the Kingdom of Duloc by its tyrannical ruler Lord Farquaad. Accompanied by an annoying talking donkey, Shrek bargains with Lord Farquaad and they reach an... Continue Reading →

‘This Is Paradise’ (Traverse Theatre) | Review By Rebecca Donati

Michael John O’Neill’s ‘This is paradise’ returns to the Traverse theatre in Edinburgh this year. This poetic, soulful monologue takes you through the inner turmoil of Kate as she desperately seeks inner peace parallel to the peace Northern Ireland is promised to gain from The Good Friday Agreement. Playing the Traverse Theatre until 28th August. 10... Continue Reading →

‘The Importance of Being… Earnest?’ (The Pleasance – Beyond) | Review By Rebecca Donati

Hilarious, Say It Again, Sorry? HILARIOUS! The Importance of Being... Earnest? is a wonderfully wacky, fun experience for all. Audience participation has revived this Wilde classic that we have all groaned at having studied in higher drama into a magical, once-in-a-lifetime ephemeral experience. The show's simplistic concept is what makes it so special, during this... Continue Reading →

‘Muster Station: Leith’ (Edinburgh International Festival – Leith Academy) | Review By Katie McNulty

‘Muster Station: Leith’ is a piece of immersive theatre that takes the audience into an apocalyptic world. The UK is being flooded, and we have all been brought to the Muster Station in the hopes of boarding an arc that will allow us to survive a great wave that’s set to hit Edinburgh within 6... Continue Reading →

‘Divas: From Stage to Screen’ (BBD Productions – The Rose Theatre) | Review By Katie McNulty

BBD Productions invites Edinburgh Fringe-goers to an evening of live music, celebrating the most renowned divas of the movie and musical world. Audiences can find ‘Divas: From Stage to Screen’ running at Rose Theatre (the Main Stage) from 18th – 28th August at 10.30pm. Beginning with the overall look of the show, it’s gorgeous. (Flameless)... Continue Reading →

‘Unfortunate: The Untold Story of Ursula the Sea Witch’ (Underbelly – George Square, Udderbelly) | Review By Marcus Lundie

Unfortunate: The Untold Story of Ursula the Sea Witch by Fat Rascal is a tell all musical that lets us in on the real story of Ursula from Disney’s The Little Mermaid. Ursula let’s the audience know her past, how she met king Triton, her wrongful framing and banishment for murder and a hilarious telling... Continue Reading →

‘An Untitled Love’ (Edinburgh International Festival – King’s Theatre) | Review By Lewis C. Baird

‘An Untitled Love’ is Kyle Abraham’s dance exploration of Black love in America, set to the soundtrack of D’Angelo & The Vanguard. Abraham produces this contemporary production in collaboration with A.I.M and the Edinburgh International Festival, playing at Edinburgh’s King’s Theatre until Sunday 21st August.  The ensemble of dancers for this production showcase a versatile... Continue Reading →

‘Midsummer’ (The SpaceUK @ Niddry Street) | Review By Stacey Brown

Midsummer is an adaptation of Shakespeare’s classic A Midsummer Night’s Dream. Titlyard tell us the story of how a crew of office workers putting on a play end up trapped in crazed love triangles and under magic spells, all at the hands of the fairy jester Puck. As someone who isn’t a fan of amateur... Continue Reading →

‘Any Suggestions, Doctor?’ (The Pleasance Dome) | Review By Lewis C. Baird

‘Any Suggestions, Doctor?’ is the improvisation show based on the BBC’s much loved flagship television sci-fi series, ‘Doctor Who’. Within this show an ensemble of actors take suggestions from the audience to create a totally original ‘Doctor Who’ episode on stage before their eyes.  The ensemble for this production clearly have a love and great... Continue Reading →

‘The End of Eddy’ (Edinburgh International Festival – Church Hill Theatre) | Review By Stacey Brown

The End of Eddy, based on Édouard Louis’ autobiographical novel, is about the harsh reality of growing up in a violent, working-class environment; especially if you’re queer. Our four actors take us through the journey of Eddy’s childhood and teenage years. From being beaten at school to masturbating with his friends, we follow Eddy through... Continue Reading →

‘Bad Teacher’ (Underbelly – Daisy) | Review By Marcus Lundie

Bad Teacher is a one woman show that comedically takes the audience through a day in the life of ‘Bad Teacher` Evie. The story goes through key checkpoints in the teacher’s day whilst switching back and forth between hilarious cutaways, whether it be on the London underground or under the water getting hunted by jaws-esque... Continue Reading →

‘Bianca Del Rio: Unsanitized’ (The Pleasance – EICC) | Review By Stacey Brown

Bianca Del Rio is back! The season six winner of Ru Paul’s Drag Race and renowned glamourous clown is back at the Fringe this year with a hilarious routine that had the room cackling. From Covid-19 to All-Stars, Bianca’s got a lot to say! Bianca walked out in a gorgeous yellow jumpsuit with her hair... Continue Reading →

‘The Book of Life’ (Edinburgh International Festival) | Review By Keiran McLean

The Book of Life brings light upon the powerful and inspirational firsthand stories of those affected by the Rwandan genocide in 1994 and pushed the light through the shadows of the tragedy, remembering the life and love in this heartwarming show. Rwandan writer and activist Odile Gakire Katese and the Women Drummers of Rwanda showcase... Continue Reading →

‘Bonfire Man’ (Omni Free Fringe) | Review By Keiran McLean

Bonfire Man brings joy, humour and bafflement in the best way possible with these wacky, unique and extremely distinct characters. Ben MacPherson's Bonfire Man explores, mockumentary style, the crazy devoted festival lovers who attend the Nevada Desert every year to leave their souls behind with other creatives in the blistering heat at a festival that's... Continue Reading →

‘Coming Out of My Cage (And I’ve Been Doing Just Fine)’ (Underbelly – Cowgate, Iron Belly) | Review By Keiran McLean

An hour long show about the song Mr Brightside….do you think it's a hit? Oh it's definitely a hit. Coming out of my Cage (And I've been doing just fine) goes into the deep depths of mega cult sensation - Mr Brightside by the Killers. This show is an interactive investigation with karaoke, throwing apples... Continue Reading →

‘Hedda’ (Greenside Infirmary Street) | Review By Lauren Shaw

Wonderlabs’ reinvention of Henrik Ibsen’s classic play ‘Hedda Gabler’ is exactly what you’d hope for upon hearing that the story and its characters are to be modernised for the telling of this tale.  Dafna Rubinstein has introduced modern audiences into the world of technology; male dominated, and cocaine driven.  The essence of Hedda Gabler is... Continue Reading →

‘Hungry’ (ROUNDABOUT @ Summerhall) | Review By Keiran McLean

Hungry is a hilariously funny play that explores class, queerness, cultural appropriation, food and the cost of gentrification. Chris Bush's play is an amazing story about a chef - Lori - and waitress Bex who one night get together in a walk in fridge and the rest is history. The story follows the two as... Continue Reading →

‘One Man, Two Guvnors’ (Captivate Theatre – Rose Theatre) | Review By Lewis C. Baird

Captivate Theatre bring their brilliant production of Richard Bean’s farcical comedy, ‘One Man Two Guvnors’, to the Edinburgh Fringe. The iconic comedy plays at The Rose Theatre at 18:00 until 28th August. ‘One Man, Two Guvnors’ follows Francis Henshall as he becomes minder to Roscoe Crabbe, a small-time East End hood, now in Brighton to collect... Continue Reading →

‘Randy Feltface: Alien of Extraordinary Ability’ (Assembly George Square Studios – Studio Two) | Review By Lewis C. Baird

The international star, Randy Feltface, returns to Edinburgh with his show ‘Alien of Extraordinary Ability'. In this hilarious and at points harrowingly honest show, Randy delivers a candid scope of planet earth, examining how messed up the human race really is. Randy is playing Studio Two in Assembly George Square studios at 21:15 until 28th... Continue Reading →

‘Exodus’ (National Theatre Scotland – Traverse Theatre) | Review By Rebecca Donati

The National Theatre of Scotland deliver a hard-hitting, political satire to the Traverse this year for the Edinburgh Fringe Festival. Exodus mimics the contradiction and cover-ups within the UK parliament. The satire when used subtly is very effective. The humour of the performance comes through in the exaggeration which may at times take away from... Continue Reading →

‘Myra DuBois’ A Problem Shared’ (Underbelly – The Dairy Room) | Review By Lewis C. Baird

Myra DuBois returns (reluctantly) to the Edinburgh Fringe with her new show ‘A Problem Shared’, where the iconic drag queen becomes an agony aunt. Myra is playing Underbelly Bistro Square (The Dairy Room) at 19:45 until 28th August.  Myra is hysterical, her unfiltered delivery with a tinge of glitter is enough to make the dourest-faced... Continue Reading →

‘A Wee Journey’ (Edinburgh International Festival – The Studio) | Review By Katie McNulty

As a part of the REFUGE series, Palestinian artist Farah Saleh and Turkish musician Oğuz Kaplangı bring ‘A Wee Journey’ to the Edinburgh International Festival for its world premiere. A production that uses both choreography and live music to convey lived experiences of migration and refuge-hood. Specifically, it depicts the journeys made to Scotland. The... Continue Reading →

‘Nina Conti: The Dating Show’ (The Pleasance Grand) | Review By Lewis C. Baird

Nina Conti returns to the Edinburgh Fringe with her new show for 2022, ‘The Dating Show’. Nina Conti lends her fabulous ventriloquist skills to audience members who dare to declare they are single or in a relationship. Playing The Pleasance Grand until 28th August at 18:00. Nina Conti is a very likable person with her bright... Continue Reading →

‘Bits N Pieces’ (Saltire Sky Theatre – Leith Arches) | Review By Marcus Lundie

'Bits N Pieces' by Saltire Sky Theatre is an interactive dark comedy play that at its heart seeks to educate its audiences about the serious harm that current drug stigma, misinformation and ignorance, can do. The play follows three friends Dougie, Tommy and Matty as they regale of past escapades, figure out what on earth... Continue Reading →

‘Friendsical’ (Assembly Rooms, George Street) | Review By Matthew Attwood

A beloved TV sitcom started in the 90’s. Ten seasons full of laugh-out-loud comedy, emotional highs and lows of a friendship between six thirty-somethings living in New York. Plus an on and off-again relationship that put viewers through the ringer every season capturing the world's attention. Brooke Mauchline Productions presents ‘Friendsical’, a monstrous parody musical... Continue Reading →

‘Psychodrama’ (Traverse Theatre) | Review By Rebecca Donati

Psychodrama is a chilling thriller that leaves you wanting more. The mid-career actress played brilliantly by Emily Bruni keeps the audience engaged throughout the performance. Psychodrama is one of a few one-woman shows being performed at the Traverse this year, seeing so many female-led stories and performances throughout the fringe this year has been inspiring... Continue Reading →

‘The Richard Osman Fan Club’ (Paradise in The Vault) | Review By Lewis C. Baird

‘The Richard Osman Fan Club’ from Warped Productions is playing Paradise in The Vault at 17:15 until 28th August (except 21st August). This 30-minute play follows elderly lady Greta and the young Adam as they discuss Richard Osman, plus try to find Greta a gripping tale for her new book inspired by Osman’s ‘The Thursday Murder... Continue Reading →

‘The Kaye Hole’ (Assembly Checkpoint) | Review By Lewis C. Baird

'The Kaye Hole’ presented by Reuben Kaye is a variety extravaganza, playing Assembly Checkpoint Saturday 19th, Sunday 20th, Friday 26th, Saturday 27th & Sunday 28th August at 23:40.  Reuben Kaye hosts this show once again providing stellar entertainment for the audience through raucous and very cheeky comedy, making this late-night affair extra special. The sections in... Continue Reading →

‘The Beatles Were A Boyband’ (F-BOMB Theatre – Gilded Balloon) | Review By Rebecca Donati

F-Bomb theatre has done it again! Returning to the Fringe Festival this year with The Beatles Were A Boyband these powerhouse women have managed to bag themselves some well-deserved awards. The company has received The Scotsman Fringe First award as well as upcoming writer Rachel O’Regan being awarded for innovation and outstanding new writing at... Continue Reading →

‘Medea’ (Edinburgh International Festival – The Hub) | Review By Erin Munro

‘Medea’ is a retelling of Euripedes’ Greek tragedy by Liz Lochead. Written and performed in Scots’ dialect, this sharp and brutal production centres around mother figure, Medea, as she loses her family and community. The National Theatre of Scotland are playing ‘Medea’ at the Hub on Castlehill until the 28th August. This is an immersive... Continue Reading →

‘ROOM’ (Edinburgh International Festival – King’s Theatre) | Review By Katie McNulty

James Thierrée and La Compagnie Du Hanneton have returned to the Edinburgh International Festival with ‘ROOM’. A new piece of theatre that rejects a plot yet conveys an array of music and movement that takes us on an entirely unique journey. Created, directed, and performed by James Thierrée, ‘ROOM’ is at King’s Theatre from 13th-17th... Continue Reading →

‘Counting and Cracking’ (The Lyceum) | Review By Matthew Attwood

At this year’s international Fringe you can witness the harrowing tale of ‘Counting and Cracking’ written by S. Shakthidharan. Following one Sri Lankan family, their story is told through a multi-generational lens demonstrating the impacts of civil war and the dangerous journey of immigration. Performances are at the Lyceum Theatre, from 8th-14th August.   At the... Continue Reading →

‘Reuben Kaye: The Butch is Back’ (Assembly Checkpoint) | Review By Lewis C. Baird

Reuben Kaye is back at the Edinburgh Fringe! ‘The Butch is Back’ is Reuben's one-man show where he delves into his life through music and comedy in fabulous style. Playing Assembly Checkpoint until 28th August (except 15th, 16th, 22nd & 23rd Aug).  Reuben Kaye is a born performer, his presence alone entices the audience in, wanting... Continue Reading →

‘Blood Harmony’ (Traverse Theatre) | Review By Lewis C. Baird

‘Blood Harmony’ tells the heartbreaking tale of sisters Anna, Maia and Chloe as they reunite in the wake of their mother’s death. We see them face loss, reminisce on their childhoods and take perspective over how far they’ve come since they were last together. This production is playing at the Traverse Theatre until 28th August. ... Continue Reading →

‘Ordinary Days’ (Royal Scots Club) | Review By Sam Eastop

Entering the Princess Royal Suite at the Royal Scots Club there was a buzz in the air. I had no idea what ‘Ordinary Days’ was about or what to expect, but that buzz was exciting. Only running for three days, it feels like the cast and crew are just itching to show the Edinburgh Fringe... Continue Reading →

‘Wilf’ (Traverse Theatre) | Review By Lewis C. Baird

‘Wilf’ has returned to the Traverse Theatre until 28th August. This much-acclaimed play follows Calvin and he struggles through relationships, friendships and driving lessons. He finds that the only person there for him is his new car, Wilf.  https://www.youtube.com/watch?v=DtsX89wVO6s&t=20s Michael Dylan is superb as Calvin; he supplies so much energy to the character. The chaos... Continue Reading →

‘Shoddy Detective & The Art of Deception’ (The SpaceUK on North Bridge) | Review By Matthew Attwood

Shoddy Theatre presents ‘Shoddy Detective & The Art of Deception’, a wildly funny and entertaining production centred around the mystery of a priceless stolen painting. A multi rolling, slapstick comedy that is entertaining from start to finish. Audiences can witness this wacky production from the 15th-20th August at the new venue TheSpace on North Bridge - Argyll Theatre (Venue 36).  As audiences enter the theatre they are greeted by the wonderful Luke Rose as... Continue Reading →

‘War of the Worlds (On a Budget)’ (The SpaceUK at Surgeons Hall) | Review By Stacey Brown

War of the Worlds (On a Budget) by Lamphouse Theatre is a one-man, musical-comedy production that takes you through the classic novel War of the Worlds (a very brief and cost-effective performance at that). With a combination of loop pedals, DIY props and lots of costume changes, Lamphouse reimagines Jeff Wayne’s classic in the most brilliant and hilarious way. When... Continue Reading →

‘Windows Of Displacement’ (The Studio) | Review By Stacey Brown

Windows of Displacement by Akeim Toussaint Buck is a mesmerising performance that captures the emotions of migration, home and identity. The performance presents arecent history of humanity and focuses on Akeim’s journey from Jamaica to the UK. From border control and citizenship tests to the harsh reality of what colonialism has done to the world, Akeim raises these issues in a beautiful spoken word, dance performance.... Continue Reading →

‘Hiya Dolly’ (The SpaceUK – Surgeons Hall) | Review By Matthew Attwood

Andy Jordan Productions presents ‘Hiya Dolly’, a scientific and musical retelling of ‘the most famous sheep in history– the world's first cloned mammal.’ Written by Vince Licata, weare transported back to the late 90’s in the Roslin Institute and come to learn how Dolly came into this world. Jessica Donnelly is stupendous as the adorable attention seeking sheep Dolly. Donnelly’s performance is full of humour and charm, engaging audiences throughout with her quick... Continue Reading →

‘Prometheus Bound (Io’s Version)’ (The SpaceUK on the Mile)| Review By Matthew Attwood

Myths Unbound and New Celts Productions presents a fresh perspective on the ancient Grecian tale of ‘Prometheus Bound’. As stated in the play’s title we experience this story through the tragic character of ‘Io’, as she falls victim to the abusive powers of the male gods within her story. Written by Kira Mason and Directed... Continue Reading →

‘Reginald D. Hunter: Bombe Shuffleur’ (Assembly Rooms – Ballroom) | Review By Stacey Brown

Reginald D Hunter’s Bombe Shuffleur is a stand-up show that takes on subjects that other comedians might be skeptical talking about. From Brexit to Feminism, Reginald brings his cheeky and warm personality to every subject he talks about. The first thing I noticed was that the crowd were obviously big fans of Reginald already. The... Continue Reading →

‘Showstopper! The Improvised Musical’ (The Pleasance Grand) | Review By Lewis C. Baird

'Showstopper! The Improvised Musical’ has returned to the Edinburgh Fringe for it’s fourteenth year. The Showstoppers delightfully dazzle audiences with a brand-new improvised musical every night. Playing The Pleasance Grand at 21:30 until 28th August (except 16th Aug).  ‘Do Not Pass Go’ was the musical that the audience helped create during the evening I attended,... Continue Reading →

‘Esther Manito: #NotAllMen’ (Gilded Balloon – Teviot) | Review By Stacey Brown

#NotAllMen is a stand-up show by comedian Esther Manito that takes us on a journey from the lad’s culture of the ’90s to the Twitter, “not all men” trolls of today. Esther reflects on toxic masculinity from all stages of life; from cock-n-ball graffiti in school to having men on the internet bombarded her with... Continue Reading →

‘Ode To Joy (How Gordon got to go to the Nasty Pig Party)’ (Summerhall) | Review By Lewis C. Baird

‘Ode To Joy (How Gordon got to go to the Nasty Pig Party)’ is James Ley’s newest play which explores the darker and more explicit side of gay culture. It follows Gordon on a journey of discovery which takes him down a path of sex, drugs and sportswear. ‘Ode To Joy’ is currently playing at... Continue Reading →

‘The Single Lady’ (theSpace on North Bridge) | Review By Rachel Clinton

‘The Single Lady’ chronicles the scandalous secret love life of Queen Elizabeth I, daughter of the infamous Anne Boleyn. In this new ‘pop’ musical the so-called ‘Virgin Queen’ proves herself to be nothing of the sort—this musical oozes sexuality. When Elizabeth finds herself caught in a love triangle between her cousin and her childhood friend... Continue Reading →

‘Séance’ (Pleasance Dome – Potterrow Plaza) | Review By Riodhna Walsh

SÉANCE is a spine-chilling piece created by DARKFIELD, running in Potterrow Plaza from the 9th till the 29th August, and lasts 20 minutes. This show is in a shipping container, which is designed to look like a Victorian séance room on the inside. Each audience member puts on a pair of headphones, and, once the... Continue Reading →

‘Tales of Vomit, Trash and Broken Glass’ (The SpaceUK on The Mile) | Review By Rebecca Donati

Tales of vomit, trash and broken glass is a thought-provoking, emotive piece of theatre which will take you on a journey.   After an ecological disaster unleashes a neurotoxin into the air, two people are thrust into a series of emotionally-charged vignettes, where they are forced to confront both the nature of their relationships and their... Continue Reading →

‘Born Under A Bad Sign’ (The SpaceUK On The Mile) | Review By Sam Eastop

Born Under A Bad Sign was my third show of three at Venue 3 at the Space On The Mile, but my spirits were high getting ready to watch a play about football and Men’s Mental Health, both things I myself am passionate about. What followed was just over an hour of lad banter, funny... Continue Reading →

‘Trainspotting Live’ (Pleasance EICC – Cromdale Tunnel) | Review By Lewis C. Baird

It’s back, ‘Trainspotting Live’ has returned to the Edinburgh Fringe for the first time in three years. The immersive stage play takes audiences on a journey of drugs, sex, alcohol and the worst toilet in Scotland, following the disastrous lives of Renton, Tommy, Sick Boy, Begbie, June, Mother Superior and Alison. ‘Trainspotting Live’ is running at... Continue Reading →

‘Murder Club’ (The SpaceUK on The Mile) | Review By Sam Eastop

Sitting in Venue 3 at the Space On The Mile, getting ready for ‘Murder Club’ got me excited. Back at the fringe, ready for a day of reviewing (this show my first of three in this venue) and to see what talents Edinburgh Napier had to present to the theatre world and the industry as... Continue Reading →

‘Legally Blonde’ (The Space – Niddry Street) | Review By Becky Campbell

‘Legally Blonde’ is an iconic, feel-good musical based on the classic 2001 film starring Reese Witherspoon. It follows the story of Elle Woods as she chases love and a law career whilst on a journey of self-discovery and friendship. It is a mammoth production which Stage Avenue has adapted in a fun and camp way... Continue Reading →

‘Mischief Movie Night’ (Pleasance at EICC – The Pentland Theatre) | Review By Lewis C. Baird

Mischief Theatre go back to their roots by returning to the Edinburgh Fringe with three shows this year, one of those shows is ‘Mischief Movie Night’ where the audience are the directors of an improvised movie.  On the evening in which I attended, the genre was a heist film, ‘Otters Eleven’, where we had some... Continue Reading →

‘Burn’ (National Theatre of Scotland – Edinburgh King’s Theatre) | Review By Matthew Attwood

Alan Cumming triumphantly returns to the Edinburgh Fringe this year in a co-production with the Edinburgh International Festival, National Theatre Scotland and New York’s Joyce Theatres production of ‘Burn’. A physical theatre show delving into the inner workings of Scotland’s national bard Robert Burns. Created by Alan Cumming and Director/ Choreographer Steven Hoggett. Audiences can... Continue Reading →

Irvine Welsh’s ‘Porno’ (The Pleasance – Pleasance Beyond) | Review By Lauren Shaw

Easier Said Than Done’s version of Irvine Welsh’s 2002 novel “Porno”, tells the satisfying yet disturbingly funny sequel to the Scottish classic “Trainspotting”.  The audience reminisces of the past tales of Begbie, Spud, Renton and Sickboy as we see what has become of them 15 years later.  Adapted by Davie Carswell and directed by Felix... Continue Reading →

‘Lightweight’ (Underbelly – The Wee Coo) | Review By Sarah Hopkins

In an hour exactly, Amie Enriquez offers a chaotically varied guide on suffering and surviving circumstances as bleak as they get – anorexia, dysfunctional and tone deaf families, an extensive stint in rehab, and 9/11. ‘How does she manage that?’ I hear you cry (and please, try to refrain from speaking unless you have the... Continue Reading →

‘Boris III’ (The Pleasance – Pleasance One) | Review By Lewis C. Baird

‘Boris III’ follows an eighteen-year-old Boris Johnson playing Richard III in a school production. Apparently, he wasn’t prepared, didn’t learn his lines and the result was chaos. Boris the Third is a comedy imagining of what that school play might have been like. Will young Boris play the clown, charming his critics, or will he be remembered... Continue Reading →

‘She Wolf’(Assembly Roxy Downstairs) | Review By Rachel Clinton

Isla Cowan’s ‘She Wolf’ is an ecofeminist monologue that confronts the harsh realities of not only living, but surviving in the modern world as a woman. The monologue is delivered by Maggie who is sitting on a bench in Edinburgh Zoo and is addressed to the wolves inhabiting the enclosure opposite. She interrogates woman’s place... Continue Reading →

‘Daddy Issues’ (The Pleasance Courtyard – Below) | Review By Rebecca Donati

Sex, struggle, and solitude! ‘Daddy Issues’ is a topical, thought-provoking one-woman show and a must-see at this year's Edinburgh Fringe Festival. Passing Stranger Theatre Company was formed in 2018 and was founded by Anna Krauze the writer and solo performer of ‘Daddy Issues’. This production is funded by the Arts Council England, has been awarded... Continue Reading →

‘Classic!’ (The Pleasance – Pleasance One) | Review By Lewis C. Baird

‘Classic!’ features a cast of 6 romping through all those classic novels you never had time to read. This production is currently playing at The Pleasance One at 14:40 until 29th August (except 15th & 22nd Aug).  The six performers in this production deliver high energy, loads of comedy plus both verbally and physically abuse... Continue Reading →

‘Big Band Does… Broadway’ (The Rose Theatre) | Review By Lewis C. Baird

Big Band Productions return to the Edinburgh Fringe with ‘Big Band Does Broadway’, playing every day at 22:30 in The Rose Theatre until 14th August.  This production is really special. It’s rare in the Scottish theatre industry that we are blessed to witness a successful cabaret, never mind one which features young performers that seem like... Continue Reading →

‘Hamlet’ (Ashton Hall, Saint Stephens Stockbridge) | Review By Rhona Williams

Hamlet is known across the globe as one of William Shakespeare’s most well known plays, and this year Ian McKellen and Peter Schaufuss collaborated on this work to create a whole new concept of what we have previously known Hamlet to be. Continuing to follow the traditional narrative of the play, this reimagining of it... Continue Reading →

‘Making A Murderer: The Musical’ (Underbelly – Bistro Square) | Review By Lewis C. Baird

Based on the hit Netflix series, ‘Making A Murderer: The Musical’ tells story of a man and his family's fight for freedom that has enthralled people all over the world and has helped shine a light on the injustices and failings of a broken system. This production runs at Underbelly Bistro Square till 29th August (except 15th... Continue Reading →

‘Smashing Shakespeare: Juliet & Her Romeo’ (Captivate Theatre) | Review By Matthew Attwood

Captivate Theatre presents ‘Smashing Shakespeare’- A comedic musical adaption of Shakespeare’s most infamous plays ‘Romeo & Juliet’ and ‘Macbeth’. Book by Sally Lyall and music by Tommie Travers, Lyall also directs this production alongside Scott Coltman. Audiences can see these family-friendly, informative and laugh-out-loud shows from the 5th-27th (Excluding Sundays and 22nd, 23rd and 24th)... Continue Reading →

‘How to Keep Up with The Kardashians’ (Underbelly – Belly Button) | Review By Matthew Attwood

SO LA FLAIR’s ‘How to Keep Up with The Kardashians’ is an empowering insight into the struggles of women fighting against today’s insane beauty standards. Shining a light on the hypocrisy of the Kardashian family. Rebelling and redefining feminine beauty as we the audience join the dance party protest, filled with live music, comedic sketch... Continue Reading →

‘Kinky Boots’ (Bare Productions) | Review By Lewis C. Baird

‘Kinky Boots’ is the iconic Broadway and West End award-winning musical that tells the story of Charlie Price, a kind-natured shoe factory owner who forms an unlikely friendship with Drag Queen Lola to produce a line of high-heeled boots. This year Bare Productions bring this musical to the Edinburgh Fringe for the first time, running... Continue Reading →

‘The Bleeding Obvious’ (Underbelly – Daisy) | Review By Erin Munro

Jessica Rowbottom is the frontwoman and singular member of the band ‘The Bleeding Obvious’. Rowbottom’s cabaret show covers her own experience coming out, dating and simply existing as a lesbian woman in Yorkshire -  all of course intertwined with a self-composed soundtrack. Running at the Underbelly Bristo Sq. venue Daisy ‘The Bleeding Obvious’ is a... Continue Reading →

‘The Addams Family’ (Captivate Theatre) | Review By Lewis C. Baird

The kooky and spookiest family have made their way to Edinburgh! Captivate Theatre presents us with ‘The Addams Family’, playing at The Rose Theatre until 24th August. This musical comedy follows Wednesday Addams as she attempts to prepare her family to meet her boyfriend’s family, the Beinekes. With Gomez struggling to keep a secret from... Continue Reading →

‘My Son’s A Queer (But What Can You Do?)’ | Review By Lewis C. Baird

Rob Madge’s much raved about one hander ‘My Son’s A Queer (but what can you do?)’ has arrived in Edinburgh for the Fringe, running at Udderbelly until 29th August (except 10th, 15th & 22nd).   When Rob Madge was 12, they attempted a full-blown Disney parade in their house for their grandma. As Rob donned wigs... Continue Reading →

‘Sunshine On Leith’ (Captivate Theatre) | Review By Lewis C. Baird

Captivate Theatre’s ‘Sunshine On Leith’ returns to the Edinburgh Fringe running at The Rose Theatre till Sunday 28th August. ‘Sunshine On Leith’ follows the highs and lows of Ally and Davy as they negotiate families, friendships, and love in this comedic and moving story featuring songs of The Proclaimers.  Sandy Queenan portrays Rab as a... Continue Reading →

‘12th Night Lite’ (Paradise in Augustines – The Studio) | Review By Erin Munro

“12th Night Lite” does what it says on the tin, retelling the beloved Shakespeare comedy “Twelfth Night” in a one hour slot at The Studio - Paradise in Augustines. The script, edited by Ruth Garvey-Williams, retains the framework and humour of the classic whilst being cut to suit a Fringe performance space all with a... Continue Reading →

‘A Thousand Sons’ (Greenside – Fern Studio) | Review By Lewis C. Baird

‘A Thousand Sons’ follows Bertie, a nuclear test veteran, from the 1950s to the present day; as he witnesses the horrors of Nuclear weapons, and fights for justice after experiencing life-changing repercussions.  Jamie Sefton writes and stars in this production as Bertie. The sheer skill of storytelling that Jamie presents within this 45-minute, tense and disturbing... Continue Reading →

‘Americana: A Murder Ballad’ (Assembly Checkpoint) | Review By Lewis C. Baird

‘Americana: A Murder Ballad’ tells the tale of a nation’s youth trapped in a murder ballad they cannot escape. A gunman lurks on every corner. He’s behind you. He’s beside you. He’s inside you. This is freedom. This is a warzone. This is Americana. How do we break the ballad?  Cole Wagner portrays the writer,... Continue Reading →

‘Happy Meal’ (Traverse Theatre) | Review By Lewis C. Baird

‘Happy Meal’ takes the audience back to the quaint days of dial up and MSN, where you'll follow two strangers on their journeys to become who they always were. From teen to adult, from MySpace to TikTok, from cis to trans. This brand new play is debuting at Traverse 2 as part of TravFest and... Continue Reading →

‘Footloose’ (Glasgow King’s Theatre) | Review By Rebecca Donati

Everybody cut loose on Monday night in Glasgow. Following two critically acclaimed tours and a West End run, Footloose is back and better than ever. Starring the wonderful Aston Merrygold and Darren Day ‘Footloose’ is a feel good phenomenon. The roof was roaring off of The King’s Theatre in Glasgow during their finale causing the... Continue Reading →

‘LAND – A Scottish Musical’ (Kick The Door) | Review By Keiran McLean

From sheep on the hill, to the flats in Castlemilk, from soldiers on the coast, to laughing at the Pointless host, show compassion, take your neighbour's hand, and appreciate life in this show they call LAND. LAND is a new musical by Scottish musical theatre company, Kick the Door. The show has just finished previewing... Continue Reading →

‘Dreamboats and Petticoats: Bringing On Back The Good Times’ (Glasgow King’s Theatre) | Review By Rebecca Donati

Dreamboats and Petticoats are certainly bringing on back the good times in Glasgow this week. Bobby, Laura, Norman, Sue & the gang get back together for the follow-on musical inspired by the hit albums. This west-end sell-out will have you on your feet rocking and rolling. The sixties were well and truly alive, an innocence... Continue Reading →

‘Footloose’ (Edinburgh Playhouse) | Review By Lewis C. Baird

‘Footloose The Musical’ is a stage adaptation of the hit 1984 Kevin Bacon motion picture. The story follows city boy Ren, who thinks life is bad enough when he’s forced to move to a rural backwater in America. But his world comes to a standstill when he arrives at Bomont to find dancing and rock... Continue Reading →

‘Kneecaps’ (Moot Point Collective) | Review By Lewis C. Baird

Moot Point Collective in association with Framework Theatre Company presents a brand-new piece of writing from Joe Hunter in the form of ‘Kneecaps’. This exciting new play follows ex-partners Ali and Jess dealing with their past struggles while trying to survive a life-threatening new epidemic.  Katrina Allen is incredible as Jess, the emotional depth and... Continue Reading →

‘Lift’ (Stage 4) | Review By Hannah Cook

The daily commute. Like every other day, off the tube at Covent Garden, faces now familiar from relentless routine. For 54 seconds you stand cramped in a lift with 7 complete strangers, wondering who these passengers are. Why are they here? What are their secrets? Could they be unknowingly connected? Who do they love? What... Continue Reading →

‘Sunshine On Leith’ (Edinburgh King’s Theatre & Pitlochry Festival Theatre) | Reviewed By Sam Eastop

Sitting in the familiarity of the King’s Theatre’s stalls I prepared myself for an evening of joy, fun and all things Edinburgh. Over the next two and a half hours those expectations were met and exceeded to a degree I did not expect. I had only seen the film before this evening, but I couldn’t... Continue Reading →

‘The Lion King’ (Edinburgh Playhouse) | Review By Lewis C. Baird

‘The Lion King’ has returned to Edinburgh after a sell-out run from December 2019 until it ended due to lockdown in March 2020. Now audiences are flocking to the Edinburgh Playhouse to finally see the end of the run, two years on. Produced by Disney and directed by the legendary Julie Taymor, the musical is... Continue Reading →

‘Takin’ Over The Asylum’ (Royal Conservatoire of Scotland) | Review by Rebecca Donati

Donna Franceschild’s Takin’ Over the Asylum is known for the original 1994 BAFTA winning series with the beloved characters etched into our brains as they were. The series was adapted into this delightfully charming play for the Citizens and Lyceum Theatre in 2013. Directed once again by the brilliant Mark Thomson, this production is being brought back to life... Continue Reading →

‘Wuthering Heights’ (Edinburgh King’s Theatre) | Review By Alison Jeni Frater

Last night I attended Wuthering Heights at the Kings Theatre in Edinburgh. I must admit I have never read the epic Emily Bronte novel that is piece is adapted from, so I was not sure what to expect. Wuthering Heights follows Heathcliff who is rescued from the Liverpool docks as a child where he is... Continue Reading →

‘Anything Goes’ (Edinburgh Festival Theatre) | Review By Lewis C. Baird

‘Anything Goes’ has sailed into Edinburgh’s Festival Theatre till Sunday 15th May after a highly successful run in London’s West End last year. The story follows the S.S. American as she heads out to sea enroute to England, it seems that etiquette and convention head out the portholes as two unlikely pairs set off on... Continue Reading →

‘Rock of Ages’ (Edinburgh Playhouse) | Review By Lewis C. Baird

'Rock of Ages’ has head banged its way into the Edinburgh Playhouse, playing till Saturday 14th May. This musical has toured the UK several times and rocked out in London’s West End, however the question is, does the newest tour still rock? ‘Rock of Ages’ is set in the 1980s on the sunset strip (LA).... Continue Reading →

‘A Murder is Announced’ (Edinburgh King’s Theatre) | Review by Stacey Brown

A Murder is Announced- A Miss Marple Mystery has all the charm of a classic ‘whodunnit’ that has you guessing throughout. The story of course is brilliant. After an announcement in the Gazette predicts a Murder at Letitia Blacklock’s house, she and her group of family and friends are anxious to see what might happen.... Continue Reading →

‘Singin in the Rain’ (Edinburgh Festival Theatre) | Review by Alison Jeni Frater

Singin’ in the Rain has landed with a splash at the Edinburgh Festival Theatre this week. After it’s run at London’s Sadler’s Wells, Singin’ in the Rain has embarked on a UK tour. The 1952 classic film starring Gene Kelly and Debbie Reynolds is to die for and possibly one of my favourite films. I... Continue Reading →

‘Fantastically Great Women Who Changed the World’ (Edinburgh King’s Theatre) | Review by Rhona Williams

Fantastically Great Women Who Changed the World (dir. Amy Hodge) had its Edinburgh debut at The King’s Theatre last night, and it was an utterly stunning piece of musical theatre. The new musical is an adaptation of Kate Pankhurst’s children’s book of the same title, that beautifully illustrates the importance of women throughout history that... Continue Reading →

‘Oliver!’ (Forth Children’s Theatre) | Review By Rebecca Donati & Keiran McLean

Lionel Bart's Oliver! Comes to the stage of the Edinburgh Tabernacle with the amazing young talent of the Forth Children's Theatre bringing this classic musical to life. Forth Children's Theatre are an established, award winning youth theatre company based in Edinburgh who were formed in 1979. This April, they put on their Easter show of... Continue Reading →

‘Waitress’ (Edinburgh Playhouse) | Review By Stacey Brown

Sugar, butter, flour and a whole lot of talent! Waitress has hit the Edinburgh Playhouse and it’s just as tasty as we hoped. When waitress Jenna finds out she’s pregnant, she has to figure out how to start fresh without her horrible husband Earl. However, there are more than a few bumps in the road... Continue Reading →

‘Magic Goes Wrong’ UK Tour (Edinburgh Festival Theatre) | Review By Lewis C. Baird

Mischief Theatre are back in Scotland with their UK Touring production of ‘Magic Goes Wrong’ which is currently playing Edinburgh’s Festival Theatre. ‘Magic Goes Wrong’ follows a hapless gang of magicians as they stage an evening of grand illusions to raise cash for charity. But as the magic turns to mayhem, accidents spiral out of... Continue Reading →

‘Orphans’ (National Theatre of Scotland) | Review By Lewis C. Baird

National Theatre of Scotland’s brand-new original musical ‘Orphans’ is currently in the midst of it’s debut Scottish tour, running at Edinburgh’s King’s Theatre till Saturday 16th April. Based on the Peter Mullan movie set in Glasgow, 1998. One hell of a storm is ripping through the city. The Flynn siblings just need to survive the night... Continue Reading →

‘Our Carnal Hearts’ (An Tobar & Mull Theatre and Arch 468) | Review By Rhona Williams 

Our Carnal Hearts (dir. Rebecca Atkinson-Lord) written by Rachel Mars was an interesting expression of jealousy, envy and humanistic attitudes towards those closest to us in the real world. The play took the form of spoken word poetry whilst relying on the harmonies of a splendid mystical trio.  The play started by engulfing the audience... Continue Reading →

‘The Curious Incident of the Dog in the Night-Time’ (Glasgow King’s Theatre) | Review By Lewis C. Baird

National Theatre’s ‘The Curious Incident of The Dog in the Night-Time' UK tour has arrived at Glasgow King’s Theatre. The play follows Christopher, fifteen years old, we join his journey as he stands beside Mrs Shears’ dead dog. It has been speared with a garden fork, it is seven minutes after midnight and Christopher is... Continue Reading →

‘Dreamgirls’ (Edinburgh Playhouse) | Review by Rhona Williams

Dreamgirls (dir. Casey Nicholaw) soulfully sashayed onto the Edinburgh Playhouse stage last night. From the moment that the magnificent conductor (Simona Budd) pounded on her cowbell, to the final harmony, the production was a whirlwind of enthusiasm, passion and impeccable talent. The musicalstarts in the 1960s, and follows the lives of three ambitious and talented singers, striving to make it big in the world of showbusiness. Through fantastic... Continue Reading →

‘The Da Vinci Code’ (Edinburgh King’s Theatre) | Review By Keiran McLean

Dan Brown's ‘The Da Vinci Code’ comes to Edinburgh King's Theatre to showcase Rachel Wagstaff and Duncan Bel's adaptation of the beloved, grail hunting story. ‘The Da Vinci Code’ follows Professor Robert Langdon, a symbologist visiting Paris for a lecture, and cryptologist Sophie Neveu after a vicious murder in the Louvre Museum causes them to follow... Continue Reading →

‘Beautiful’ (Edinburgh Festival Theatre) | Review By Lewis C. Baird

The Curve Leicester and Nikolai Foster’s revival production of ‘Beautiful’ The Carole King Musical has arrived at Edinburgh’s Festival Theatre. ‘Beautiful’ tells the inspiring true story of King’s remarkable rise to stardom, from being part of a hit song-writing team with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia... Continue Reading →

‘Allan Stewart’s Big Big Variety Show’ (Edinburgh King’s Theatre) | Review By Keiran McLean

Variety shows are an adored form of theatre, loved by millions of people worldwide who just simply want to be entertained. An accumulation of different performers; styles, genres and experiences but all having the same final goal in mind - entertain the audience. If anyone knows what it takes to put together a star-studded, hilariously... Continue Reading →

‘Everybody’s Talking About Jamie’ (Edinburgh Festival Theatre) | Review by Lewis C. Baird

'Everybody’s Talking About Jamie’ has returned to the Edinburgh Festival Theatre! The original UK Tour had a stint at the Festival Theatre back in 2020, literally days before lockdown was imposed, now most of the original cast have returned to the Festival Theatre for another successful stint. ‘Everybody’s Talking About Jamie’ is based on a true... Continue Reading →

‘Lena’ (Beacon Arts Centre) | Review By Rebecca Donati

Feather Productions in association with the Beacon Arts Centre presents the world premier of ‘Lena’written by BAFTA and Olivier award-winner Tim Whitnall. This original play tells the story of child starLena Zavaroni who shot into stardom after appearing on the hit talent show ‘Opportunity Knocks” in1973 at only ten years of age. My knowledge of... Continue Reading →

‘Shrek The Musical’ (Edinburgh Bohemians) | Review By Lewis C. Baird

Edinburgh’s Bohemian Lyric Opera company has brought everyone’s favourite Ogre back to Scotland, finally! After a two-year postponement, the Bohemians finally have their production on stage. ‘Shrek the Musical’ follows a big, green, terrifying ogre living alone on a swamp... he doesn’t sound like a fairy tale hero, does he? But then, this is no ordinary fairy... Continue Reading →

Six (Edinburgh Festival Theatre) | Review By Stacey Brown

Six follows the stories of the unfortunate six wives of Henry VIII, but it’s not how you quite remember it from history class. The ladies have taken control of the story and through the power of pop songs, they compete to determine which wife had it worse. After each of them have told their story,... Continue Reading →

‘Hairspray’ (Edinburgh Playhouse) | Review By Rhona Williams

Hairspray (dir. Paul Kerryson) spritzed its way onto Edinburgh’s Playhouse stage last night and gripped the audience from the moment we said Good Morning to Baltimore. The timeless classic was a colourful treat to the senses and took the audience on an emotional voyage through the turbulent (yet hopeful) 1960s. The musical follows plus size... Continue Reading →

‘Movies To Musicals’ (The Alhambra Theatre) | Review By Sam Eastop

Having seen Movies to Musicals before, I knew what to expect when entering the Alhambra Theatre, which I am very familiar with, in my hometown of Dunfermline. What I didn’t expect was how much fun I was going to have. I remembered the show centred around a strong cast of kids and young people with... Continue Reading →

‘Class Act’ (Traverse Theatre) | Review By Rhona Williams

Class Act truly lived up to its name last night for its debut performance at the Traverse Theatre in Edinburgh. The fantastic piece showcased the phenomenal work of pupils from five secondary schools across Edinburgh (Broughton High School, Craigmount High School, Craigroyston Community High School, Forrester High School and Royal High School). The short stories,... Continue Reading →

‘One Man, Two Guvnors’ (Captivate Theatre) | Review By Lewis C. Baird

Captivate Theatre bring a brand-new production of Richard Bean’s farcical comedy, ‘One Man Two Guvnors’, to Musselburgh. ‘One Man, Two Guvnors’ follows Francis Henshall as he becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as... Continue Reading →

‘The Rocky Horror Show’ (Edinburgh King’s Theatre) | Review By Sam Eastop

As I took my seat in an ocean of black dresses, stockings, and sparkly outfits, I was ready to watch the madness of the Rocky Horror Show unfold for the first time. Having only ever watched the film until this point, I had heard fantastic things about the live show and was feeling incredibly excited... Continue Reading →

‘Bedknobs and Broomsticks’ (Edinburgh Festival Theatre) | Review By Lewis C. Baird

'Bedknobs and Broomsticks' is a screen to stage adaptation I have been championing for the best part of a decade, and now finally the world premiere UK tour of the musical has arrived in Edinburgh! 'Bedknobs and Broomsticks' follows Charlie, Carrie and Paul Rawlins as they are evacuated from a desolated London in the midst... Continue Reading →

‘Be More Chill’ (Aberdeen Arts Centre) | Review By Rebecca Donati

Be more chill is an ironic name for this production as it has the complete opposite effect on their audience who were pumping with adrenaline after seeing the Scottish premier of this production! The high energy and highly captivating musical blew the audience away in all ways imaginable. Treading the Board (TTB) are Aberdeen’s only... Continue Reading →

‘Bat Out of Hell’ (Edinburgh Playhouse) | Review By Lewis C. Baird

Jim Steinman’s hit musical ‘Bat Out of Hell’ has rolled into Edinburgh in true Rock n Roll style. The musical is set in a dystopian world and follows the story of Raven; a girl trapped in her home by her tycoon father, Falco, that is until she falls in love with Strat, a member of the rebel group,... Continue Reading →

‘The Lion, the Witch and the Wardrobe’ (Edinburgh King’s Theatre) | Review By Stacey Brown

The critically acclaimed theatre production of C.S Lewis’ The Lion, the Witch and the Wardrobe transports you to a magical world. While we follow the Pevensie siblings into the world of Narnia, our imaginations run wild as a combination of music, movement, puppetry and costumes create the kingdom behind the wardrobe we all imagined as... Continue Reading →

‘We Belong’ (Bare Productions) | Review By Stacey Brown

We Belong by Bare Productions is a cabaret show, showcasing their wonderful casts’ performing skills. Bare Productions unfortunately had to cancel all their performances over the last two years but they are back with a bang! We Belong is a fun filled, singalong evening for musical theatre lovers who need a taste of what we’ve... Continue Reading →

‘School Of Rock The Musical’ (Edinburgh Playhouse) | Review By Lewis C. Baird

The iconic Jack Black movie ‘School of Rock’ was adapted into a stage musical back in 2015 and now in 2022 it’s finally made its way up to Scotland after rocking out in London’s West End. The story follows failed rocker Dewey Finn as he impersonates as his best friend, Ned Schneebly, taking a temp teacher... Continue Reading →

‘White Christmas’ (Edinburgh Playhouse) | Review By Stacey Brown

What’s better than cozying up to watch a classic Christmas movie? How about watching it transformed onto a stage with big dance numbers and dazzling costumes! Based on the classic Bing Crosby movie of the same title, White Christmas transports you to 1954 where Broadway stars and ex-soldiers Bob Wallace and Phil Davis meet with... Continue Reading →

‘Heathers the Musical’ (Edinburgh Playhouse) | Review by Lewis C. Baird

'Heathers the Musical’ has finally arrived in Edinburgh on the final week of its debut UK tour. Based on the classic 1989 film, set in Westerberg High; which is ruled by a shoulder-padded, scrunchie-wearing junta: Heather, Heather and Heather, the hottest and cruelest girls in all of Ohio. But misfit Veronica Sawyer rejects their evil regime... Continue Reading →

‘Les Misérables’ (Theatre Royal Glasgow) | Review By Sam Eastop

At this point I feel like a veteran Les Mis viewer, as it is easily the show I have seen live the most times in my life. However, this time round was different as I would be taking up the responsibility of writing a review afterwards. I found myself paying attention to different parts of the show... Continue Reading →

‘Sleeping Beauty’ (Edinburgh King’s Theatre) | Review By Lewis C. Baird

After a year off, the world feels whole again as Panto returns to the Edinburgh King’s Theatre in the form of ‘Sleeping Beauty'. This is the first pantomime since 2019 and also the first since the late King’s Theatre legend, Andy Gray, passed away. The story of ‘Sleeping Beauty’ tells the tale of Princess Aurora... Continue Reading →

‘Death Drop’ (Edinburgh King’s Theatre) | Review by Lewis C. Baird

What better way to spend your Wednesday night than watch a murder mystery that has the premise of your favourite drag queens and kings slaying... oh no wait, sorry, I meant being slain. ‘Death Drop’ is a murder mystery drag extravaganza set in the 90s, where a bunch of privileged influencers, a politician and three mental caterers... Continue Reading →

‘Dirty Dancing’ (Edinburgh Festival Theatre) | Review By Stacey Brown

Dirty Dancing Review The iconic 1980s classic Dirty Dancing has been adapted for the stage, and it’s just as fun and sexy as you hoped it would be. The story follows Frances “Baby” Houseman, a young woman on holiday with her family at Kellerman’s resort. This is where she meets Johnny Castle, a dreamy, bad... Continue Reading →

‘The Legend of Sleepy Hollow’ (Edinburgh King’s Theatre) | Review By Rhona Williams

As we finally depart so called “Spooky Season”, Tilted Wig’s production of The Legend of Sleepy Hollow directed by Jake Smith, appropriately haunts its audience with its captivating blend of traditional storytelling and a creepy gothic atmosphere. Philip Meeks’ enigmatic adaptation of Washington Irving’s well-known horror story is brought to the stage in a spine-chilling manner, with its fantastically versatile and symbolic set,... Continue Reading →

‘The Play That Goes Wrong’ (Edinburgh King’s Theatre) | Review By Lewis C. Baird

‘The Play That Goes Wrong’ is considered one of the best comedy plays of the last decade. The play in question skyrocketed Mischief Theatre to one of the UK’s biggest and most acclaimed theatre producers. ‘The Play That Goes Wrong’, follows Cornley Polytechnic Drama Society's (eventful) production of Murder at Haversham Manor. A classic murder mystery. However, things don’t go exactly to... Continue Reading →

‘Beauty and the Beast’ (Edinburgh Playhouse) | Review By Lewis C. Baird

Disney has returned to the Edinburgh Playhouse until 27th November with the tale as old as time, ‘Beauty and the Beast the Musical’. This iconic Disney story follows an arrogant young prince, and his castle's servants after they fall under the spell of a wicked enchantress, who turns the prince into a hideous Beast until he... Continue Reading →

‘The Enemy’ National Theatre of Scotland (Edinburgh King’s Theatre) | Review By Lewis C. Baird

‘The Enemy’ is National Theatre of Scotland’s latest touring production, based on Henrik Ibsen’s ‘An Enemy of the People’. This re-envisioned play follows a Scottish town going under a massive redevelopment project that promises to bring money, jobs and new prospects to its forgotten population. However, when Dr Kirsten Stockmann discovers a dangerous secret, she knows... Continue Reading →

‘Blood Brothers’ UK & Ireland Tour (Edinburgh Playhouse) | Review By Lewis C. Baird

Recently I admitted to a close friend that I had never seen Willy Russell’s acclaimed musical, ‘Blood Brothers’. This admission prompted a sharp scowl followed by the statement “until you see this musical, you cannot call yourself a theatre critic”. To my friend's relief, I (hopefully) can now once again call myself a theatre critic after attending the latest... Continue Reading →

‘The Woman In Black’ UK Tour (Edinburgh King’s Theatre) | Review By Joe Hunter

The Woman In Black is reliant on tradition and its influences, but it still proves to be an infectiously enjoyable experience, and a timely reminder that theatre is best shared with a packed audience. The show runs from the 12th - 16th October 2021 at the King’s Theatre, Edinburgh. Those expecting to see a carbon... Continue Reading →

‘Groan Ups’ UK Tour (Edinburgh King’s Theatre) | Review By Sam Eastop

“They’re Beautiful, aren’t they? The lives we don’t live.” Groan Ups was very exciting for me, as I have never seen “The Play That Goes Wrong”, Mischief Theatre’s comedy that exploded them onto the Theatre scene. I knew I was in for a night of fantastic physical comedy. And that’s just what I got.  The... Continue Reading →

‘Grease The Musical’ UK Tour (Edinburgh Festival Theatre) | Review By Becky Campbell

Everyone remembers the 1978 Grease movie, but the original 1971 musical is brought back to life in this new-old adaptation of Grease by director Nikolai Foster. Whilst maintaining the vibrant, fun-loving grease we all know and love, this version focuses more on the original script, leaving us with a grittier, more powerful version of the classic tale. With upbeat... Continue Reading →

‘Chicago’ UK & Ireland Tour (Edinburgh Playhouse) | Review By Alison Jeni Frater

It’s time to slick your hair and wear your buckles shoes and head to the Edinburgh Playhouse to see Chicago! I have seen Chicago twice before, but this was a very special press night for me, as it is the first show I have seen since March 2020.  Based on a true story, Chicago is... Continue Reading →

‘9 To 5 The Musical’ (Edinburgh Playhouse) | Review By Lewis C. Baird

After 545 days of closure, the Edinburgh Playhouse shined like the sun last night as Dolly Parton’s iconic musical ‘ 9 To 5’ re-opened the UK’s largest theatre. Based on the 1980s motion picture, ‘9 To 5’ follows the stories of Violet Newstead, Judy Bernly and Doralee Rhodes as they struggle in a male dominated world. Eventually it all comes too... Continue Reading →

‘Your Tomorrow’ (Éowyn Emerald & Dancers) | Review By Katie Daniel

In Your Tomorrow we are presented with a rare chance to see a mid-length jazz dance performance. Your Tomorrow is sweet and emotional with the romantic goal of “celebrating the private moments, uplifting intimacies and companionable bliss of the relationships that unite us”. Combined with this celebration is the appreciation of having someone to catch... Continue Reading →

‘Alan Cumming Is Not Acting His Age’ | Review By Lewis C. Baird

Alan Cumming has come home to Scotland to perform two nights at Edinburgh International Festival’s Old College Quad outdoor venue with his new show ‘Alan Cumming Is Not Acting His Age’. The performance features hilarious and wholesome anecdotes, with some showstopping musical numbers. True cabaret, fronted by a true showman.  Alan Cumming’s presence alone is... Continue Reading →

‘Moonlight on Leith’ (REDCAP Theatre) | Review By T G Hofman

Reviewing bad theatre is easy; reviewing good theatre is hard; reviewing great theatre is very difficult indeed. When I sat down to watch Moonlight on Leith, I confess I was hoping for an easy ride. Damn you to the bowls of hell REDCAP Theatre because this is a hard review to write. The difficulty is... Continue Reading →

‘Ariadne auf Naxos’ (Royal Scottish National Orchestra) | Review By T. G. Hofman

It’s the party to end all parties. But two entertainments have been double-booked to mark the evening’s climax – a serious opera and a slapstick comedy. The star soprano is throwing a tantrum and the staff are hiding the chaos from the boss. There’s only one solution: perform both shows at the same time. I... Continue Reading →

‘Spontaneous Potter’ | Review By Stacey Brown

Spontaneous Potter is an improvised comedy show performed by The Spontaneous Players. The actors take a title suggestion from the audience, inspired by Harry Potter and improvise a whole show based around the title which creates an exciting, unpredictable and hilarious atmosphere. Of course, the story is based around Harry Potter with the actors playing... Continue Reading →

‘Dancing In the Streets’ (Janice Parker) | Review By Sam Eastop

I didn’t know what to expect when entering the spacious, socially distanced seating area for Dancing in the Streets, but when I heard the patter of bare feet as Janice approached the front of the hall, I knew I was in for a different type of show. I prepared myself for something other than the usual performance or... Continue Reading →

‘Press’ (Black Bat Productions) | Review By Lewis C. Baird

‘Press’ from Black Bat Productions is currently playing the Cabaret Bar at The Pleasance as part of the Edinburgh Fringe. The play follows film producers, David and Kate as they wait in anticipation hoping for their prestigious Civil War epic, Catch Me Some Freedom, to be nominated for plenty of Goldies. Until, however, they learn that... Continue Reading →

‘Bard In The Yard’ (Pleasance Courtyard) | Review By Marcus Lundie

‘Bard in the Yard: The Scottish Play’ is a fantastic play that follows our beloved bard, William Shakespeare as he creates his Scottish masterpiece Macbeth. Shakespeare has come up on trip to Scotland for inspiration for his new play and is looking for help from the people of the fringe.  Caroline Mathison offers a brighter,... Continue Reading →

‘Patricia Gets Ready (for a Date with the Man that Used to Hit Her)’ | Review By Stacey Brown

Patricia Gets Ready (for a Date with the Man that Used to Hit Her) is a one woman play, following Patricia, who bumps into her abusive ex who she hasn’t seen in sometime. After a scene of fumbling, she agrees to have dinner with him. The story follows her journey of hyping herself up to meet him, whilst retelling... Continue Reading →

‘Shona the Musical Choir’ (Neo Vilakazi & Neo Productions) | Review By Lewis C. Baird

Last night (Monday 16th August 2021) at Edinburgh International Festival’s enormous pop-up venue at Edinburgh Park, Shona the Musical Choir presented the original music from the in-development production of 'Shona the Musical’. This new original musical is packed full of vibrant, emotional and dynamic music inspired by the native sounds of Zimbabwe. The story and music... Continue Reading →

‘Little Shop of Horrors’ (A-Team Productions) | Review By Lewis C. Baird

Last night was the closing evening for youth theatre, A-Team Productions’, run of ‘Little Shop of Horrors’. This open aired production was one of the few established musicals running at this year’s Edinburgh Fringe.   Downtown New York is the setting for ‘Little Shop of Horrors’, where Seymour – a nerdy florist's assistant – fights for... Continue Reading →

‘Mediocre White Male’ (Assembly Roxy) | Review By Keiran McLean

Mediocre White Male, co-written by Will Close and Joe Von Malachowski, follows a 30-year-old male who reminisces about a previous relationship and the nostalgia of his younger years. During his narration of distressing issues, the effects of his past and the prospect of male privilege in a world that is continuing to develop and leave... Continue Reading →

‘Afterparty’ (New Celts Productions & F-Bomb Theatre) | Review By Rebecca Donati

A fun, female driven play. THIS is what we like to see at the fringe. F-BOMB Theatre is a theatre company based in Scotland. Their aim is for women to make theatre for women and to create a great night out for their audiences. 'Afterparty' at The Space Triplex - Jenner Theatre embodies this and they more... Continue Reading →

‘Wish List’ (BoneStruck Theatre in association with New Celts Productions) | Review By Lewis C. Baird

‘Wish List’ by Katherine Soper explores the hardships of dealing with mental illness through our government’s broken system, it also displays the shocking conditions of working for conglobates like Amazon. This production is currently running every second day till the 28th August at The Space Triplex as part of the Edinburgh Fringe.  Chloë Johnson as Tasmin... Continue Reading →

‘Fear of Roses’ (Black Bat Productions) | Review By Keiran McLean

After the last 15 months of theatre being missed, I was delighted to be back at The Edinburgh Fringe this year to review Black Bat Productions ‘Fear of Roses’. The company returned to the fringe after triumphant reviews of their previous show Chagos 1971 which received brilliant reviews at the 2019 Edinburgh Fringe Festival. This... Continue Reading →

‘Screen 9’ (Piccolo Theatre/The Pleasance) | Review By Lewis C. Baird

‘Screen 9’ from Piccolo Theatre in association with Survivors Empowered, is a powerful piece of verbatim theatre which explores the horrific shooting during the Colorado premiere of ‘The Dark Knight Rises’ in 2012. This production is currently playing The Pleasance at the EICC on and off until 29th August as part of the Edinburgh Fringe.  The four... Continue Reading →

‘Medicine’ (Landmark Productions and Galway International Arts) | Review By Lewis C. Baird 

The Edinburgh Festival has always been a great birth place for prominent pieces of theatre and this year is no exception, Enda Walsh’s ‘Medicine’ is a new play which examines how, for decades, we have treated those we call ‘mentally ill’. This co-production between Landmark Productions and Galway International Arts Festival already has sold out... Continue Reading →

Candy (Reboot Theatre Company) | Review By Rebecca Donati

Do you believe in love at first sight? Will has a secret. He’s hopelessly in love with the unattainable Candy — she’s an epiphany, a revelation, and his best friend Billy in drag. Can he ever be with her? And what does loving her really mean? 'CANDY' written by Tim Fraser is a comedic play... Continue Reading →

‘Falstaff’ (Scottish Opera) | Review By Lewis C. Baird

Theatre is back at the Edinburgh Festival Theatre with Scottish Opera’s production of ’Falstaff’ as part of the Edinburgh International Festival.  Giuseppe Verdi’s ‘Falstaff’ is adapted from Shakespeare's’ ‘The Merry Wives of Windsor’. The story follows Sir John Falstaff, who needs a ruse so that he can continue his life of excess. He decides to try... Continue Reading →

‘[Title Of Show]’ (Trigger Theatre) | Review By Lewis C. Baird

Trigger Theatre present their debut production, a digital version of the Tony nominated musical ‘[Title of Show]’. This brand-new production of the hit musical, can be seen as of 7pm on Friday 25th June till 7pm on Sunday 27th June. ‘[Title of Show]’ is a musical that chronicles its own creation from inception to opening night on Broadway - in... Continue Reading →

‘The Life and Times’ (Scottish Dance Theatre) | Review By Lewis C. Baird

Scottish Dance Theatre in association with Dundee Rep present the digital production ‘The Life and Times’. Tonight (17th June) I was lucky enough to attend the world premiere of this production. Audiences will be able to watch another performance of this production tomorrow evening (18th June).  ‘The Life and Times’ is a visual meditation on human fragility... Continue Reading →

‘Rosie Sings: Facts About Me!’ (Brighton Fringe) | Review By Lewis C. Baird

Theatre has still not resumed in Scotland. Scottish Digital productions are slowly reducing due to companies preparing for (hopefully) live performances later this year. Which means that Scottish theatre goers are currently needing to look further afield for some new digital theatre. Well, look no further than the Brighton Fringe and specifically ‘Rosie Sings: Facts... Continue Reading →

Framework Theatre’s ‘Framework Festival’ | Review By Lewis C. Baird

This week (3rd - 7th May) Framework Theatre presented their ‘Framework Festival’, a digital festival for emerging artists in Scotland. On offer were informative workshops and six brand new productions, two of them (‘Acting Appropriately’ and ‘Four Marys’) being live and the rest (‘Yours,’, ‘The Butterfly Effect’, ‘Roko’s Modern Life’ and ‘All I Ever Knew’) being pre-recorded... Continue Reading →

‘Adam’ (National Theatre of Scotland/BBC Scotland) | Review By Rebecca Donati

Can the soul of a man be trapped in the body of a woman? This remarkable story of Adam Kashmiry asks that fundamental question. Now showing on BBC iPlayer ‘Adam’ has been reworked and adapted for an on-screen production. As a Glaswegian anytime I hear of a theatrical phenomenon being created out of or based around Glasgow I am instantly... Continue Reading →

‘The Deep Blue Sea’ (National Theatre) | Review By Aisling Anderson

I was lucky enough to see 'The Deep Blue' Sea as part of National Theatre at Home during this lockdown. Premiering at the Lyttelton Theatre in 2016 it was added to the National Theatre at Home collection to allow us to fill the void that Covid-19 has created in our love for theatre. Terrence Rattigan... Continue Reading →

The Color Purple at Home (Curve Leicester) | Review By Katie Daniel

Alice Walker’s novel The Color Purple tells the story of Celie; twice impregnated as a teen, robbed of her children, given into an abusive marriage, separated from her beloved sister and abandoned by the woman with whom she finds love. But eventually, she comes to term with who she is, enough so to stand up... Continue Reading →

Queerativity LGBTQ+ Monologues Evening | Review By Lewis C. Baird

To celebrate LGBTQ+ history month, tonight (Sunday 21st February 2021) Queerativity presented us with an evening of LGBTQ+ monologues. Queerativity is a new platform specializing in showcasing queer art and creating LGBTQ+ events.  The event kicked off with Megan Black performing her beautiful original song ‘Fur Coat Queen’. Megan’s voice is stunning and this original song compliments it with an... Continue Reading →

Big Band Does… Valentine’s | Review By Lewis C. Baird

Valentines has arrived! It’s a day which is loved by many and dreaded by some; therefore, we need some good old entertainment supplied for both parties on the most romantic day of the year. BBD Productions are on hand bringing us Big Band Does... Valentine’s, all to raise money for Acting for Others. I got... Continue Reading →

A Love Letter to Theatre | Review By Lewis C. Baird

Digital performances are becoming the new norm, as great as some of them are, the urge to return to our theatres grows. A Little Company brings us some content to help our urges in the shape of their digital fundraiser ‘A Love Letter to Theatre’. This is available from 14th - 21st Feb for a donation which... Continue Reading →

Big Burns Night Bash | Review By Lewis C. Baird

Something which I have been actively rooting for, for some time now, is homegrown talent producing fabulous work which embraces their Scottish culture and truly showcases what Scotland has to offer. Well, Scott Coltman and BBD productions have done exactly that in their digital production ‘Big Burns Night Bash’  This bash is a digital production which... Continue Reading →

Kinky Boots the Musical (The Shows Must Go On!) | Review By Lewis C. Baird

Rarely in our generation is a musical made that is socially relevant, and also so phenomenally entertaining. ‘Kinky Boots’ has toured the UK, played London’s West End and Broadway. This weekend The Shows Must Go On! are streaming the recorded West End version of the show. But does this recording do well to capture the hit musical? ‘Kinky Boots’ is... Continue Reading →

Bare Productions: Camp as Christmas | Review By Lewis C. Baird

Christmas is just around the corner! This year our festive theatre fill is going to be rather scarce due to the coronavirus, but thankfully some companies are coming to the rescue with some digital theatre content. Bare Productions are one of the companies which are giving us a festive treat in the form of their... Continue Reading →

Big Band Does… Halloween | Review By Lewis C. Baird

Digital theatre comes in many shapes and sizes as we have seen over the last few weeks. One particular production I was looking forward to was Big Band Production's take on Halloween.  Big Band Productions are an Edinburgh based company produced by Jonnie Grant & Scott Coltman, they are well known for their superb fringe shows... Continue Reading →

‘Fugue’ Digital Production by The Outsiders | Review By Lewis C. Baird

It seems the foreseeable future of theatre is going to be digital. Therefore, many companies are venturing into the unknown and exploring this new medium of theatre by creating digital productions. One of those companies are The Outsiders. They are doing an entirely filmed in isolation production of ‘Fugue’ by Rona Munro.  ‘Fugue’ is a suspenseful... Continue Reading →

Les Misérables 2019 Concert Recording (Gielgud Theatre) | Review By Lewis C. Baird

Every musical fan within the UK is either stuck indoors or working hard as a key worker right now. With theatres being closed, some are finding it difficult to transpose over to the new online content that theatres and producers are supplying, and just want to be in a theatre enjoying their favourite show. One recorded production... Continue Reading →

Allan Stewart’s Big Big Variety Show (Edinburgh King’s Theatre) | Review By Sam Eastop

When I was told I was going to see Allan Stewart’s new (and last) Big Big Variety Show, which was in celebration of his 60th year in showbiz, I thought I knew what I was in for. To a degree, I was correct, but I also could never have truly guessed what surprises where in... Continue Reading →

Everybody’s Talking About Jamie (Edinburgh’s Festival Theatre) | Review By Lewis C. Baird

‘Everybody’s Talking About Jamie’ has been a smash hit in London’s West End since 2017, and now three years later it is heading on it’s first national tour. I headed to Edinburgh’s Festival Theatre for it’s Scottish debut to see why everybody’s talking about Jamie! Everybody’s Talking About Jamie is based on a true story, following... Continue Reading →

Educating Rita (Theatre Royal, Glasgow) | Review By Rebecca Donati

A Theatre by the Lake, David Pugh & Dafydd Rogers have produced the major 40thanniversary production tour of Willy Russell’s ‘Educating Rita’. Originally the play was commissioned by the Royal Shakespeare Company at the Warehouse Theatre in London 1980 starring Julie Walters and Mark Kingston. Julie Walters played the role of Rita again in the... Continue Reading →

I Think We Are Alone (Edinburgh King’s Theatre) | Review By Lewis C. Baird

Frantic Assembly are the UK’s leading physical theatre company, their productions are renowned for being revolutionary and breaking the mold. Their latest production ‘I Think We Are Alone’, written by Sally Abbott, plus co-directed by Kathy Burke and Scott Graham is currently playing Edinburgh’s King’s Theatre.  ‘I Think We Are Alone’ is a bittersweet and funny... Continue Reading →

Peter Pan Goes Wrong (Edinburgh’s Festival Theatre) | Review By Lewis C. Baird

J.M Barrie’s whimsical tale of the boy who never grows up in Neverland is one which has been seen revived on stage many times in many different forms, however in recent years there has only been one production which critics and audiences alike have been raving about. That is of course Mischief Theatre’s ‘Peter Pan... Continue Reading →

Oor Wullie The Musical (Edinburgh King’s Theatre) | Review By Lewis C. Baird

The great D.C Thompson/Sunday Post comic strip hero, ‘Oor Wullie’ has been transported onto stage in a brand-new musical produced by Dundee Rep and Selladoor productions. This week (28th Jan – 1st Feb) the production hits Scotland’s capital playing the Edinburgh King’s Theatre.  The story follows Wahid, a young indian boy who is not fitting in at his school because of his... Continue Reading →

The Lion King UK & Ireland Tour (Edinburgh Playhouse) | Review By Lewis C. Baird

‘The Lion King’ is no doubt one of Disney’s best motion pictures, in my opinion it is the best. The story of Simba has reached the hearts of billions and makes it one of the greatest films out there. This moving and heartbreaking story not only is one of my favourite movies but the megahit stage adaptation... Continue Reading →

Goldilocks And The Three Bears (Edinburgh King’s Theatre) | Review By Lewis C. Baird

The Edinburgh King’s Theatre is widely renowned for it’s spectacular pantomimes. Yearly the fantastic trio Allan Stewart, Andy Gray and Grant Stott bless the stage giving us an Edinburgh spin on a classic fairytale. Last year Andy Gray was sadly missing from the humongous hit that was ‘Beauty and The Beast‘ due to him being no... Continue Reading →

9 To 5 The Musical UK & Ireland Tour (Edinburgh Playhouse) | Review By Alison Jeni Frater

9 to 5 the musical has arrived in Edinburgh this week and it was time to see what all the hype was about. I was very keen to experience this musical, as it is one I have never seen before. I attended the press night at the Edinburgh Playhouse to see if it was worth stumbling out... Continue Reading →

Priscilla Queen of the Desert (Edinburgh Playhouse) | Review By Lewis C. Baird

Who doesn’t love the story of the three drag queens travelling in a big bus to a casino via the Australian outback? It is a movie which was just destined for a stage adaptation. After it being a few years since I’ve seen the feel-good film that is ‘Priscilla Queen of the Desert’, I attended... Continue Reading →

Cabaret (Edinburgh’s Festival Theatre) | Review By Alison Jeni Frater

Cabaret the musical has landed with bang at Edinburgh Festival theatre this week. I, like many others was familiar with specific musical numbers from this classic musical and have listened to 1998 Broadway cast recording which features Alan Cumming a fair few times to say the least. I was incredibly excited to see how this musical... Continue Reading →

Six (Theatre Royal, Glasgow) | Review By Becky Campbell

If you’re looking for an exciting, sexy and empowering evening full of outstanding vocals and impeccable sass, grab yourself a ticket to the UK tour of SIX the musical at the Theatre Royal Glasgow this week! This show has truly put its own powerful stamp on the musical theatre scene with going from the Edinburgh... Continue Reading →

The Exorcist (Edinburgh King’s Theatre) | Review By Lewis C. Baird

I am a horror fanatic; I absolutely love stories which scare me. It takes real talent for someone to be able to make the audience feel in danger and frightened for themselves or the characters involved in the horror. The main franchise which is dominating the horror genre right now in film is ‘The Conjuring’... Continue Reading →

The Rocky Horror Show (Edinburgh Playhouse) | Review By Lewis C. Baird

It’s astounding that I have never seen the ‘Rocky Horror Show’. I have of course seen the iconic 1975 film starring Tim Curry and the show’s creator Richard O’Brien. And obviously who is not familiar with the legendary soundtrack with hits such as ‘The Time Warp’ and ‘Sweet Transvestite’. This Halloween the tour has its final... Continue Reading →

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